{"id":1260,"date":"2014-12-02T09:04:35","date_gmt":"2014-12-02T09:04:35","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=1260"},"modified":"2014-12-02T09:10:49","modified_gmt":"2014-12-02T09:10:49","slug":"research-talk-by-patrick-pilkington-15th-of-decmber-mlt2-5-7pm","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/12\/02\/research-talk-by-patrick-pilkington-15th-of-decmber-mlt2-5-7pm\/","title":{"rendered":"Research Talk by Patrick Pilkington, 15th of December, MLT2, 5-7pm"},"content":{"rendered":"<p style=\"text-align: justify\">We are very pleased to welcome Patrick Pilkington of the University of Warwick&#8217;s Film and Television Department to the University of Kent. Patrick\u00a0will present a talk entitled &#8216;Laws of Desire: The Courtroom Trial Sequence in Classical Hollywood Melodrama&#8217; which will take place on the 15th of December, Marlowe \u00a0Lecture Theatre 2 (MLT2) , 5-7pm.<\/p>\n<p style=\"text-align: justify\"><a href=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2014\/12\/Inherit-the-Wind.png\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-1261\" src=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2014\/12\/Inherit-the-Wind.png\" alt=\"Inherit the Wind\" width=\"262\" height=\"192\" \/><\/a><\/p>\n<p style=\"text-align: justify\">Abstract:<\/p>\n<p style=\"text-align: justify\">The trial sequence is a longstanding feature of Hollywood cinema\u2019s narratives, from the silent era through to today. Despite a rich and varied history, the cinematic trial is most often associated with what Francis M. Nevins (1984) terms the \u201cGolden Age\u201d trial film, a small number of Hollywood productions made in the 1950s and 1960s that believe in and reinforce notions of a working, just system of law (for example: <em>12 Angry Men<\/em>, <em>To Kill a Mockingbird<\/em>). I contrast this representational mode, focused on active, male protagonists \u2013 often in the role of the legal professional \u2013 with the depiction of the courtroom trial in a number of female-centred melodramas of the period that place a female protagonist on the stand. Paying special attention to films such as <em>Written on the Wind<\/em> (1956), <em>Peyton Place<\/em> (1957), and <em>Madame X<\/em> (1966), I locate a mode of representing the trial that is distinctly melodramatic in its emphases and conventions. The focus on the courtroom as a site of repression and revelation, and the designation of speech and silence during the trial, work alongside the employment of other conventions of melodrama including its hierarchical point-of-view and stylistic and narrative \u2018excesses\u2019. This produces a separate mode of representation that alternately works with and pushes against the conventions of trial depiction, giving voice to something other than a dominant, law-affirming point of view.<\/p>\n<p>More information about Patrick:<\/p>\n<p><a href=\"http:\/\/www2.warwick.ac.uk\/fac\/arts\/film\/current\/postgrads\/graduate_research\/patrickpilkington\/\" target=\"_blank\">http:\/\/www2.warwick.ac.uk\/fac\/arts\/film\/current\/postgrads\/graduate_research\/patrickpilkington\/<\/a><\/p>\n<p>All are welcome to attend!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are very pleased to welcome Patrick Pilkington of the University of Warwick&#8217;s Film and Television Department to the University of Kent. Patrick\u00a0will present a talk entitled &#8216;Laws of Desire: The Courtroom Trial Sequence in Classical Hollywood Melodrama&#8217; which will &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/12\/02\/research-talk-by-patrick-pilkington-15th-of-decmber-mlt2-5-7pm\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[124],"tags":[100111,100105,100112,50590,100107,20536,100153,100106,100109,100110,50586],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1260"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=1260"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1260\/revisions"}],"predecessor-version":[{"id":1264,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1260\/revisions\/1264"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=1260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=1260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=1260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}