{"id":1084,"date":"2014-04-03T12:00:53","date_gmt":"2014-04-03T12:00:53","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=1084"},"modified":"2014-04-03T12:01:10","modified_gmt":"2014-04-03T12:01:10","slug":"next-terms-screeneings","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/04\/03\/next-terms-screeneings\/","title":{"rendered":"Next Term&#8217;s Screenings"},"content":{"rendered":"<p>Posted by Sarah<\/p>\n<p style=\"text-align: justify\">We can now confirm the films selected for screening in advance of our maternal melodrama symposium on the 3rd of June.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2014\/04\/Stella-Dallas.png\"><img loading=\"lazy\" class=\"size-full wp-image-1085 aligncenter\" alt=\"Stella Dallas\" src=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2014\/04\/Stella-Dallas.png\" width=\"203\" height=\"248\" \/><\/a><\/p>\n<p style=\"text-align: justify\">These are:<\/p>\n<p style=\"text-align: justify\"><em>Stella Dallas<\/em> (1937, King Vidor) Tuesday 13 May, 4-7pm, Studio 6<\/p>\n<p style=\"text-align: justify\"><em>Mildred Pierce<\/em> (1945, Michael Curtiz) Tuesday 20 May, 4-7pm, Studio 6<\/p>\n<p style=\"text-align: justify\"><em>The Old Maid<\/em> (1939, Edmund Goulding) Tuesday 27 May, 4-7pm, Studio 6<\/p>\n<p style=\"text-align: justify\">Introductions to these films will be posted at a later date.<\/p>\n<p style=\"text-align: justify\">And please note the room change: we will be in Jarman Studio 6.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posted by Sarah We can now confirm the films selected for screening in advance of our maternal melodrama symposium on the 3rd of June. These are: Stella Dallas (1937, King Vidor) Tuesday 13 May, 4-7pm, Studio 6 Mildred Pierce (1945, &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/04\/03\/next-terms-screeneings\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[100031,100032,100033,100036,100153,100034,100035,50782],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1084"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=1084"}],"version-history":[{"count":4,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1084\/revisions"}],"predecessor-version":[{"id":1091,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1084\/revisions\/1091"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=1084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=1084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=1084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}