{"id":156,"date":"2013-02-18T13:08:46","date_gmt":"2013-02-18T13:08:46","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?page_id=156"},"modified":"2013-03-15T08:45:48","modified_gmt":"2013-03-15T08:45:48","slug":"suggested-reading","status":"publish","type":"page","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/suggested-reading\/","title":{"rendered":"Suggested Reading"},"content":{"rendered":"<p>Below is a list of useful works on melodrama. They are divided into different sections, though these do of course overlap. It&#8217;s a work in progress, so do email me at <a href=\"mailto:sp458@kent.ac.uk\">sp458@kent.ac.uk<\/a> if you have any suggestions as to other references to add.<\/p>\n<p>&nbsp;<\/p>\n<table border=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"21\"><\/td>\n<td valign=\"top\" width=\"580\"><strong>GENERAL MELODRAMA<\/strong><\/p>\n<p><strong>Single-authored books<\/strong><\/p>\n<p>Barefoot, \u00a0 Guy. <em>Gaslight Melodrama: From\u00a0Victorian London to 1940s Hollywood.<\/em> New York: Continuum, 2001.<\/p>\n<p>Brooks, Peter. <em>The\u00a0\u00a0Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of\u00a0\u00a0Excess<\/em>. Yale University \u00a0 Press, 1995.<\/p>\n<p>Kaplan, \u00a0 E. Ann. <em>Motherhood and Representation:\u00a0the Mother in Popular Culture and Melodrama.<\/em> London; New\u00a0York: Routledge, 1992.<\/p>\n<p>Nikolopoulou, Anastasia. Melodrama:\u00a0<em>The Cultural Emergence of a Genre<\/em>. Palgrave Macmillan, 1999.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Edited books <\/strong><\/p>\n<p>Bratton,\u00a0 Jacky, Jim Cook, Christine Gledhill, eds. <em>Melodrama: Stage, Picture,\u00a0\u00a0 Screen.\u00a0<\/em>\u00a0London: British Film Institute, 1994.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FILM MELODRAMA<\/strong><\/p>\n<p><strong>Co-authored books <\/strong><\/p>\n<p>Mercer,\u00a0John and Martin Shingler. <em>Melodrama : Genre, Style, Sensibility<\/em>. London\u00a0; New York : Wallflower, 2004.<\/p>\n<p><strong>Edited books<\/strong><\/p>\n<p>Gledhill,\u00a0Christine, ed. <em>Home is Where the Heart is:\u00a0Studies in Melodrama and the Woman&#8217;s Film.<\/em> London: BFI Pub., 1987.<\/p>\n<p><strong>Chapters\/articles<\/strong><\/p>\n<p>&#8220;Melodrama.&#8221; \u00a0 <i>Film Criticism.<\/i> 9(2). 1984-1985 Winter.<\/p>\n<p>&#8220;Melodrama.&#8221; \u00a0 <i>Wide Angle<\/i> Vol IV nr 2 (1980); p 4-51.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>HOLLYWOOD MELODRAMA<\/strong><\/p>\n<p><strong>Single-authored books<\/strong><\/p>\n<p>Byars,\u00a0\u00a0Jackie. <em>All that Hollywood Allows:\u00a0\u00a0 Re-reading gender in 1950s Melodrama. <\/em>Chapel Hill: University of North \u00a0 Carolina Press, 1991.<\/p>\n<p>Cavell,\u00a0\u00a0Stanley. <em>Contesting Tears: the Hollywood\u00a0\u00a0Melodrama of the Unknown Woman.<\/em> Chicago: University of Chicago \u00a0 Press, 1996.<\/p>\n<p>Doane, \u00a0 Mary Ann. <em>The Desire to Desire : the\u00a0Woman&#8217;s Film of the 1940s. <\/em>Bloomington, IN : Indiana University Press,\u00a0\u00a01987.<\/p>\n<p>Lang, \u00a0 Robert. <em>American Film Melodrama: Griffith, Vidor, Minnelli. <\/em>Princeton, N.J.: Princeton \u00a0 University Press, 1989.<\/p>\n<p>Singer,\u00a0Ben. <em>Melodrama and Modernity : Early\u00a0Sensational Cinema and its Contexts<\/em>. New York : Columbia University \u00a0 Press, 2001.<\/p>\n<p><strong>Chapters\/articles<\/strong><\/p>\n<p>Cook,\u00a0\u00a0Pam. &#8220;Melodrama and the Women&#8217;s\u00a0\u00a0Picture.&#8221; In: <em>Screening the Past : Memory and Nostalgia in Cinema.\u00a0<\/em>London ; New York : Routledge, 2005.<\/p>\n<p>Kaplan,\u00a0\u00a0E. Ann. &#8220;Classical Hollywood Film\u00a0and Melodrama.&#8221; In: <em>The Oxford Guide to Film Studies<\/em>,\u00a0edited by\u00a0John Hill and Pamela Church Gibson; pp: 272-82 Oxford; New York: Oxford University Press,\u00a0\u00a01998.<\/p>\n<p>Neale, \u00a0 Stephen. &#8220;Melodrama and the Woman&#8217;s\u00a0\u00a0Film.&#8221; In: <em>Genre and contemporary Hollywood, <\/em>edited by Steve\u00a0\u00a0Neale. London ; New York : Routledge, 2000.<\/p>\n<p>Nowell-Smith, \u00a0 G. &#8220;Genre Criticism. Minnelli\u00a0and Melodrama.&#8221; In: <em>Movies and Methods : an Anthology<\/em>, edited by \u00a0 Bill Nichols. Berkeley : University of California Press, 1976.<\/p>\n<p>Singer, \u00a0 Ben. &#8220;Female Power in the\u00a0\u00a0Serial-queen Melodrama : the Etiology of an Anomaly.&#8221; In: <em>Silent Film<\/em>,\u00a0edited by Richard Abel. New Brunswick, N.J. : \u00a0 Rutgers University Press, 1996.<\/p>\n<p>Williams, \u00a0 Linda. \u00a0&#8220;Melodrama Revised.&#8221; \u00a0 In: <em>Refiguring American Film Genres: History and Theory<\/em>, edited by\u00a0Nick Browne.\u00a0Berkeley: University of California Press, 1998.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BRITISH MELODRAMA<\/strong><\/p>\n<p><strong>Edited books<\/strong><\/p>\n<p>Aspinall, Sue, and Robert Murphy, eds. <em>Ga<\/em><em>insborough Melodrama<\/em>. British\u00a0\u00a0Film Institute, 1983.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>INTERNATIONAL MELODRAMA<\/strong><\/p>\n<p><strong>Single-authored books <\/strong><\/p>\n<p>Sadlier, Darlene J., ed. <em>Latin\u00a0\u00a0American Melodrama: Passion, Pathos, and Entertainment.<\/em> University of\u00a0Illinois Press, 2009.<\/p>\n<p><strong>Edited books <\/strong><\/p>\n<p>Dissanayake, \u00a0 Wimal, ed. <em>Melodrama and Asian Cinema<\/em><b>.<\/b> Cambridge ; New York :\u00a0Cambridge University Press, 1993.<\/p>\n<p>McHugh, Kathleen, and Nancy Abelmann, eds. <em>South\u00a0\u00a0Korean Golden Age Melodrama: Gender, Genre, and National Cinema<\/em><b>. <\/b>Wayne State \u00a0 University Press, 2005.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>\u00a0<\/b><\/p>\n<p><strong>MALE MELODRAMA <\/strong><\/p>\n<p><strong>Chapters\/articles<\/strong><\/p>\n<p>Fuqua, \u00a0 Joy Van. &#8220;&#8216;Can You Feel It, Joe?&#8217;: \u00a0 Male Melodrama and the Feeling Man.&#8221; <i>Velvet Light Trap.<\/i> 38: \u00a0 28-38. 1996 Fall.<\/p>\n<p>Lusted, \u00a0 David. &#8220;Social Class and the\u00a0\u00a0Western as Male Melodrama.&#8221; In: <em>The Book of Westerns<\/em><b>,<\/b> edited by \u00a0 Ian Cameron and Douglas Pye. New York: Continuum, 1996.<\/p>\n<p>Lutz, \u00a0 Tom. &#8220;Men&#8217;s Tears and the Roles\u00a0of Melodrama.&#8221; In: <em>Boys Don&#8217;t Cry?: Rethinking Narratives of\u00a0\u00a0Masculinity and Emotion in the U.S<\/em>., edited by Milette Shamir and\u00a0\u00a0Jennifer Travis. pp: 185-204. New York : Columbia University Press, 2002.<\/p>\n<p>Neale,\u00a0\u00a0Steve. &#8220;Melo Talk: on the meaning\u00a0and use of the term &#8216;melodrama&#8217; in the American trade press.&#8221; <i>Velvet\u00a0\u00a0Light Trap<\/i> no. 32 (Fall 1993); p 66-89.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>\u00a0<\/b><\/p>\n<p><b>\u00a0<\/b><\/p>\n<p><strong>FILM AND TELEVISION MELODRAMA<\/strong><\/p>\n<p><strong>Edited\u00a0\u00a0books <\/strong><\/p>\n<p>Landy, Marcia, ed.<em>\u00a0<\/em><em>Imitations of Life: a Reader on\u00a0\u00a0Film &amp; Television Melodrama<\/em><b><em>.<\/em> <\/b>Detroit: Wayne State University Press, 1991.<\/p>\n<p><strong>Chapters\/articles <\/strong><\/p>\n<p>Gledhill, \u00a0 Christine. &#8220;Speculations on the\u00a0\u00a0relationship between soap opera and melodrama.&#8221; <i>Quarterly Review of \u00a0 Film and Video <\/i>Vol XIV nr 1-2 (July 1992); p 103-124.<\/p>\n<p>Kuhn, \u00a0 Annette. &#8220;Women&#8217;s Genres: \u00a0 Melodrama, Soap Opera and Theory.&#8221; <i>Screen<\/i>, (1984) 25(1).<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Below is a list of useful works on melodrama. They are divided into different sections, though these do of course overlap. It&#8217;s a work in progress, so do email me at sp458@kent.ac.uk if you have any suggestions as to other &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/suggested-reading\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/pages\/156"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=156"}],"version-history":[{"count":7,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/pages\/156\/revisions"}],"predecessor-version":[{"id":211,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/pages\/156\/revisions\/211"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}