{"id":73,"date":"2017-04-24T21:19:31","date_gmt":"2017-04-24T20:19:31","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/maast\/?p=73"},"modified":"2022-05-21T13:32:34","modified_gmt":"2022-05-21T12:32:34","slug":"the-sound-of-memory-symposium-sound-track-sound-scape","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/maast\/2017\/04\/24\/the-sound-of-memory-symposium-sound-track-sound-scape\/","title":{"rendered":"The Sound Of Memory Symposium: Sound-track\/Sound-scape"},"content":{"rendered":"<p class=\"lead\">Goldsmiths Great Hall<\/p>\n<p>The symposium introduced sound and image works along with paper presentations situated at the interface of composers working in acoustic ecologies and artists working within social ecologies, where the primary engagement is a form of sonic ethnography. The symposium explored memory\u2019s resonances in shaping social space. It was co-hosted by the Sound-Image-Space Research Centre (SMFA), the School of Sound, and Goldsmiths University of London. The first day of the symposium coincided with the international &#8216;Earth Day&#8217; and was dedicated to the works of the renowned soundscape composer Hildegard Westerkamp, who diffused her works with the MAAST system. Keynote speakers were Hildegard Westerkamp, Prof. Simon Emmerson and Sarah Turner. The symposium\u00a0<span lang=\"EN-US\">received 143 submissions from 30 countries.<\/span><\/p>\n<p><a href=\"https:\/\/www.kent.ac.uk\/smfa\/events\/soundofmemorysymposium.html\">https:\/\/www.kent.ac.uk\/smfa\/events\/soundofmemorysymposium.html<\/a><\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" class=\"wp-image-74 aligncenter\" src=\"http:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6247-212x300.jpg\" alt=\"\" width=\"421\" height=\"596\" srcset=\"https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6247-212x300.jpg 212w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6247-768x1087.jpg 768w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6247-724x1024.jpg 724w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6247.jpg 1447w\" sizes=\"(max-width: 421px) 100vw, 421px\" \/> <img loading=\"lazy\" class=\"wp-image-75 aligncenter\" src=\"http:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-038-300x200.jpg\" alt=\"\" width=\"621\" height=\"414\" srcset=\"https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-038-300x200.jpg 300w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-038-768x513.jpg 768w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-038-1024x684.jpg 1024w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-038-1920x1282.jpg 1920w\" sizes=\"(max-width: 621px) 100vw, 621px\" \/> <img loading=\"lazy\" class=\"wp-image-76 aligncenter\" src=\"http:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-048-300x200.jpg\" alt=\"\" width=\"622\" height=\"415\" srcset=\"https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-048-300x200.jpg 300w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-048-768x513.jpg 768w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-048-1024x684.jpg 1024w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-048-1920x1283.jpg 1920w\" sizes=\"(max-width: 622px) 100vw, 622px\" \/><img loading=\"lazy\" class=\" wp-image-121 aligncenter\" src=\"http:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6168-300x225.jpg\" alt=\"\" width=\"620\" height=\"465\" srcset=\"https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6168-300x225.jpg 300w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6168-768x576.jpg 768w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/IMG_6168.jpg 960w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><small><em>Dr Aki Pasoulas with Hildegard Westerkamp in rehearsals.<\/em><\/small><\/p>\n<p style=\"text-align: center\"><small><em><img loading=\"lazy\" class=\"wp-image-123 aligncenter\" src=\"http:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-006-300x200.jpg\" alt=\"\" width=\"621\" height=\"414\" srcset=\"https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-006-300x200.jpg 300w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-006-768x512.jpg 768w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-006-1024x683.jpg 1024w, https:\/\/blogs.kent.ac.uk\/maast\/files\/2019\/06\/Westerkamp-006.jpg 1199w\" sizes=\"(max-width: 621px) 100vw, 621px\" \/><\/em><\/small><small><em>The organisers of the Symposium Sarah Turner, Dr Aki Pasoulas and Prof. John Drever in front of the audience.<\/em><\/small><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/blogs.kent.ac.uk\/maast\/\"><em>BACK TO THE MAIN PAGE<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Goldsmiths Great Hall The symposium introduced sound and image works along with paper presentations situated at the interface of composers working in acoustic ecologies and &hellip; 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