While I can choose more relevant movies such as Gary Fleder\u2019s \u2018Runaway Jury\u2019 or more recently, David Dobkin\u2019s \u2018The Judge\u2019 and Courtney Hunt\u2019s \u2018The Whole Truth\u2019 in related to storytelling, I decided to talk about a sci-fi thriller \u2013 \u201910 Cloverfield Lane\u2019 instead.<\/p>\n
Imagine after getting in a car accident, you are held in a shelter by this man who claims the outside world is taken over by aliens. He acts weird, especially the fact that he has storages of supply and everything prepare as he claims that he knew this day would come.<\/p>\n
Why am I in this room? What’s this place? How did I get in here? Who’s that creepy yet somewhat reasonable guy?<\/p>\n
Questions after questions as the guy who claimed he saved you becomes more and more suspicious. Is he lying to keep you trapped in his place? Is he doing this because you looked like his daughter who is not with him anymore?<\/p>\n
Director Dan Trachtenberg was playing the audiences\u2019 mind throughout the whole movie. This is the difference between a horror movie and a thriller. A thriller creates a psychological type of fear that make audiences think and wonder how the characters are going to find their way out. It wasn\u2019t until it was revealed that the guy who sounded insane was actually telling the truth the whole time, that the audiences start getting their questions answered.<\/p>\n
The overall screenplay structure and outlining had been very well written in a way that it demonstrates how powerful storytelling can be, especially how it can play with the audiences\u2019 mind.<\/p>\n
Watch Dan Trachtenberg\u2019s \u201910 Cloverfield Lane\u2019 trailer here:<\/p>\n