{"id":2234,"date":"2018-11-26T13:37:04","date_gmt":"2018-11-26T13:37:04","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/english-news\/?p=2234"},"modified":"2018-11-26T13:37:04","modified_gmt":"2018-11-26T13:37:04","slug":"anna-hegland-violence-and-embodied-performance-on-the-early-modern-stage","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/english-news\/2018\/11\/26\/anna-hegland-violence-and-embodied-performance-on-the-early-modern-stage\/","title":{"rendered":"Anna Hegland: Violence and Embodied Performance on the Early Modern Stage"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.kent.ac.uk\/english-news\/files\/2018\/11\/Di_Grassi_14e.jpg\"><img loading=\"lazy\" class=\"size-full wp-image-2236 alignleft\" src=\"http:\/\/blogs.kent.ac.uk\/english-news\/files\/2018\/11\/Di_Grassi_14e.jpg\" alt=\"\" width=\"455\" height=\"457\" srcset=\"https:\/\/blogs.kent.ac.uk\/english-news\/files\/2018\/11\/Di_Grassi_14e.jpg 455w, https:\/\/blogs.kent.ac.uk\/english-news\/files\/2018\/11\/Di_Grassi_14e-150x150.jpg 150w, https:\/\/blogs.kent.ac.uk\/english-news\/files\/2018\/11\/Di_Grassi_14e-300x300.jpg 300w\" sizes=\"(max-width: 455px) 100vw, 455px\" \/><\/a><\/p>\n<p>This practice-as-research workshop will explore violence as it is brought to life on the early modern commercial stage. Using extracts from Thomas Middleton\u2019s <i>The Revenger\u2019s Tragedy<\/i>, <i>The Lady\u2019s Tragedy<\/i>, and <i>A Yorkshire Tragedy<\/i>, and John Ford\u2019s <i>\u2019Tis<\/i><i> Pity She\u2019s a Whore<\/i>, it will examine the relationship between words and actions on stage, focusing on stage directions and deictic words as the descriptors of and impetus for movement. It will consider the intersections between rhetoric and performance, and investigate a variety of the ways in which language informs staging.<\/p>\n<p><strong>Part of Cultures of Performance in Medieval and Early Modern Europe<\/strong><\/p>\n<p>Image Gioacomo de Grassi, True Art of Defense (1594)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This practice-as-research workshop will explore violence as it is brought to life on the early modern commercial stage. Using extracts from Thomas Middleton\u2019s The Revenger\u2019s &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/english-news\/2018\/11\/26\/anna-hegland-violence-and-embodied-performance-on-the-early-modern-stage\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":53063,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[143219],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts\/2234"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/users\/53063"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/comments?post=2234"}],"version-history":[{"count":5,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts\/2234\/revisions"}],"predecessor-version":[{"id":2241,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts\/2234\/revisions\/2241"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/media?parent=2234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/categories?post=2234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/tags?post=2234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}