{"id":1288,"date":"2017-05-04T15:26:37","date_gmt":"2017-05-04T14:26:37","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/english-news\/?p=1288"},"modified":"2017-05-04T15:26:37","modified_gmt":"2017-05-04T14:26:37","slug":"women-in-peril-or-final-girls-representing-women-in-gothic-and-horror-cinema","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/english-news\/2017\/05\/04\/women-in-peril-or-final-girls-representing-women-in-gothic-and-horror-cinema\/","title":{"rendered":"Women-in-Peril or Final Girls? Representing Women in Gothic and Horror Cinema"},"content":{"rendered":"<p align=\"center\"><em><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Gothic Feminism presents:<\/span><\/span><\/em><\/p>\n<p align=\"center\"><strong><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Women-in-Peril or Final Girls? Representing Women in Gothic and Horror Cinema<\/span><\/span><\/strong><\/p>\n<p align=\"center\"><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Wednesday 24th May \u2013 Friday 26th May 2017<\/span><\/span><\/p>\n<p align=\"center\"><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">University of Kent<\/span><\/span><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">\u00a0<\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Gothic Feminism is a research project based at the University of Kent which seeks to re-engage with theories of the Gothic and reflect specifically upon the depiction of the Gothic heroine in film. The project raises questions of representation, interpretation and feminist enquiry in relation to the Gothic heroine throughout film history including present day incarnations. This project illuminates the concerns, contradictions and challenges posed by the Gothic heroine on-screen.<\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">This year&#8217;s 3 day conference will re-engage with discussions of gender within Gothic and horror cinema by directly comparing the two. What relationship does Gothic have to horror \u2013 or horror to the Gothic \u2013 in respect to female representation? What makes a Gothic heroine different from (or, indeed, similar to) female victims\/protagonists in horror films? What can we say about the centrality given to female performance in both these genres\/modes? Where does one draw the line between Gothic and horror in film? 2017 will mark 30 years since Mary Ann Doane published <em><span style=\"font-family: 'Calibri',sans-serif\">The Desire to Desire<\/span><\/em><\/span><span style=\"font-size: medium\"> and 25 years since Carol Clover published <\/span><em><span style=\"font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Men, Women and Chainsaws<\/span><\/span><\/em><span style=\"font-size: medium\">. This conference will also reflect upon the impact of seminal works on Gothic, horror and gender such as these within film theory. What do these works tell us about the relationship between Gothic and horror in respect to female representation? How do theories of the \u2018woman\u2019s film\u2019 and the \u2018Final Girl\u2019 relate to contemporary film theory and feminist criticism? Are these ideas still applicable to recent Gothic and horror films, and their heroines?\u00a0 <\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">In addressing these questions this conference will underline the importance of female protagonists in Gothic and horror, within film history and contemporary cinema, and ask: are these characters women-in-peril or Final Girls, or both?\u00a0 <\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">The keynote speaker shall be Dr Xavier Aldana Reyes (Manchester Metropolitan University) delivering a talk entitled: \u2018What Final Girls Did Next: Horror Heroines in the Age of Postfeminism\u2019. <\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">A special screening of <em><span style=\"font-family: 'Calibri',sans-serif\">The Eyes of My Mother<\/span><\/em><\/span><span style=\"font-size: medium\">\u00a0will also be taking place on Thursday 25th May at the Curzon in Canterbury with an introduction by our keynote. A special\u00a0ticket price is available for delegates; please see the details\u00a0before for further information.\u00a0 <\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">\u00a0<\/span><\/span><\/p>\n<p><strong><u><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Conference Information:<\/span><\/span><\/u><\/strong><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">For further information, the conference programme and details on the screening, please see: <\/span><a href=\"https:\/\/gothicfeminism.com\/\"><u><span style=\"color: #0563c1;font-size: medium\">https:\/\/gothicfeminism.com\/<\/span><\/u><\/a><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Registration for the conference is open and shall close on <\/span><strong><span style=\"font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">Friday 12<\/span><sup><span style=\"font-size: small\">th<\/span><\/sup><span style=\"font-size: medium\"> May 2017.<\/span><\/span><\/strong> <\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">To register, please visit: <\/span><a href=\"http:\/\/store.kent.ac.uk\/product-catalogue\/faculty-of-humanities\/school-of-arts\/arts-events\/gothic-feminism-conference-2017\"><u><span style=\"color: #0563c1;font-size: medium\">http:\/\/store.kent.ac.uk\/product-catalogue\/faculty-of-humanities\/school-of-arts\/arts-events\/gothic-feminism-conference-2017<\/span><\/u><\/a> <\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">The conference fee is \u00a345 (waged) or \u00a325 (unwaged). The conference fee includes lunch and refreshments for the 3 days. <\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">If you have any queries please contact us at: <\/span><a href=\"mailto:gothicfeminism2016@gmail.com\"><u><span style=\"color: #0563c1;font-size: medium\">gothicfeminism2016@gmail.com<\/span><\/u><\/a><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><a href=\"https:\/\/gothicfeminism.com\/\"><u><span style=\"color: #0563c1;font-size: medium\">https:\/\/gothicfeminism.com\/<\/span><\/u><\/a><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">@GothicFeminism <\/span><\/span><\/p>\n<p><span style=\"color: black;font-family: 'Calibri',sans-serif\"><span style=\"font-size: medium\">\u00a0<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gothic Feminism presents: Women-in-Peril or Final Girls? Representing Women in Gothic and Horror Cinema Wednesday 24th May \u2013 Friday 26th May 2017 University of Kent\u00a0 &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/english-news\/2017\/05\/04\/women-in-peril-or-final-girls-representing-women-in-gothic-and-horror-cinema\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":2400,"featured_media":1289,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[143219],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts\/1288"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/users\/2400"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/comments?post=1288"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts\/1288\/revisions"}],"predecessor-version":[{"id":1290,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/posts\/1288\/revisions\/1290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/media\/1289"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/media?parent=1288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/categories?post=1288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/english-news\/wp-json\/wp\/v2\/tags?post=1288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}