{"id":569,"date":"2019-01-17T14:46:24","date_gmt":"2019-01-17T14:46:24","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/egypt-artefacts\/?p=569"},"modified":"2019-01-17T14:46:24","modified_gmt":"2019-01-17T14:46:24","slug":"announcing-our-exhibition","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/egypt-artefacts\/2019\/01\/17\/announcing-our-exhibition\/","title":{"rendered":"Announcing our Exhibition!"},"content":{"rendered":"

We\u2019ve been working very hard behind the scenes here recently on an exciting part of our project \u2013 the temporary exhibition<\/a> at the Petrie Museum, showcasing our research on the musical instruments in their collection and our work creating playable replicas.<\/p>\n

\"\"
The replica instruments. Photo: UCL Petrie Museum.<\/figcaption><\/figure>\n

We are excited to announce that our exhibition opens to the public on the 22nd January 2019!<\/strong><\/p>\n

The exhibition reveals how different instruments were used to create particular experiences, for instance the role of instruments within religious and ritual activities, in the Egyptian home, and in processions and performances. Sound-making objects were important not only for entertainment, but also had practical uses in everyday life, for instance as toys, protective amulets, and alert or alarm sounds.<\/p>\n

\"\"
Project replica terracotta rattle, likely a child’s. Photo: Jo Stoner.<\/figcaption><\/figure>\n

The replicas (discussed in blog posts here<\/a> and and here<\/a>, and based upon the sound-making artefacts within the Petrie’s collection) form an integral part of the exhibition. We have used this display as an opportunity to show the processes and technologies involved in their creation – from laser-scanning and creation of 3D virtual models by Kent Archaeology technician Lloyd Bosworth, to 3D printing. The craft replicas produced by University of Kent technicians Georgia Wright and George Morris, and local jeweller Justin Richardson in materials like ceramic, wood, and bronze are also included.<\/p>\n

\"\"
The original Bes bell which will feature in the exhibition alongside its modern replica. Photo: Ellen Swift.<\/figcaption><\/figure>\n

Visitors will see the original Roman instruments displayed alongside some of the modern replicas, and learn about how they were used in the Roman period. Some replicas are also available to be handled and played, with additional sound recordings providing an evocative illustration of the sounds of Roman Egyptian life.<\/p>\n

These sound recordings were created using computer software that mimics the acoustic qualities of specific interior and exterior spaces. Information on Roman buildings from archaeological excavations in Egypt has been used to allow us to hear the sounds of the instruments as though they were being played within these ancient spaces. Further evidence from ancient sources, such as musical texts from papyri documents, has allowed authentic tunes, rhythms and scales to be replicated. See below for a preview of one of the replica sets of cymbals (based on UC35798) played with one hand in the Paeonic 5\/8 rhythm!<\/p>\n