{"id":48,"date":"2015-06-22T13:06:57","date_gmt":"2015-06-22T12:06:57","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/criticalkent\/?p=48"},"modified":"2015-06-22T13:07:47","modified_gmt":"2015-06-22T12:07:47","slug":"london-st-pancras-to-margate-train-journey-inspires-art-work","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/criticalkent\/2015\/06\/22\/london-st-pancras-to-margate-train-journey-inspires-art-work\/","title":{"rendered":"London St Pancras to Margate train journey inspires art work"},"content":{"rendered":"<p>Informed by trains, journeying and the disconnect between looking at the passing landscape and hearing only the interior sounds of the carriage, the\u00a0work by composer\/artist Claudia Molitor \u2013 titled\u00a0<a href=\"https:\/\/www.turnercontemporary.org\/exhibitions\/claudia-molitor-sonorama\">Sonorama<\/a>\u00a0\u00a0\u2013 is described as \u2018filling the gap between the visual and sonic realities of train travel\u2019.<\/p>\n<p>Imagining the journey as the \u2018score\u2019, Claudia Molitor\u2019s \u00a0cycle of works, collected interviews, readings and British Library archive material respond to the social history of the route. The tracks cover topics as diverse as visio-centricity, Roman history and hop-picking \u2013 all relating to a different point or area between London St Pancras and Margate.<\/p>\n<p>The App, which features contributions from\u00a0flautist Jan Hendrickse, poet Lemn Sissay, saxophonist Evan Parker and writer Charlotte Higgins, will be\u00a0free to download at the App store from 19 June \u2013\u00a030 September 2015.<\/p>\n<p>Claudia Molitor lectures\u00a0at the University\u2019s\u00a0<a href=\"https:\/\/www.kent.ac.uk\/smfa\/\">School of Music and Fine Art<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Informed by trains, journeying and the disconnect between looking at the passing landscape and hearing only the interior sounds of the carriage, the\u00a0work by composer\/artist Claudia Molitor \u2013 titled\u00a0Sonorama\u00a0\u00a0\u2013 is described as \u2018filling the gap between the visual and sonic realities of train travel\u2019. Imagining the journey as the \u2018score\u2019, Claudia Molitor\u2019s \u00a0cycle of works, [&hellip;]<\/p>\n","protected":false},"author":27947,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/posts\/48"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/users\/27947"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/posts\/48\/revisions"}],"predecessor-version":[{"id":50,"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/posts\/48\/revisions\/50"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/media?parent=48"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/categories?post=48"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/criticalkent\/wp-json\/wp\/v2\/tags?post=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}