{"id":296,"date":"2015-01-17T12:00:48","date_gmt":"2015-01-17T12:00:48","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/?p=296"},"modified":"2015-01-17T12:00:48","modified_gmt":"2015-01-17T12:00:48","slug":"open-mic","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/open-mic\/","title":{"rendered":"Open Mic"},"content":{"rendered":"<p>The last Creative Writing reading series of the term offered us the chance to hear some of the current undergraduate and postgraduate students read their work at the open mic night.<\/p>\n<p>Duncan MacKay, first-year PhD student, artist and poet (his work can be found at Poetsdoos, Enigma, PN Review and ZONE magazine, his artwork is held in collections at CERN and NASA and exhibited locally through the Lilford Gallery) kicked the night off by reading three short lyrics. Duncan is also a research fellow is astrophysics, and his poems use innovative poetic techniques to interrogate scientific methodology, and scientific language to disrupt poetic form, though he also has a more lyrical \u2013 what he described as \u2018Zen-y\u2019 &#8211; mode, which came across in \u2018Refuge from a Sudden Shower\u2019.<\/p>\n<p>Polina Orlova read a poem responding to T. S. Eliot\u2019s <em>The Waste Land <\/em>called \u2018Water\u2019, which investigated many of the tropes of the original poem.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/polinaopenmic.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-298\" src=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/polinaopenmic-225x300.jpg\" alt=\"polinaopenmic\" width=\"225\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/polinaopenmic-225x300.jpg 225w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/polinaopenmic-768x1024.jpg 768w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p>Olivia Pinkney read a poem called \u2018Body\u2019, which interrogated the objectification of the female body, and women\u2019s relations to their bodies \u2013 the repeated refrain \u2018my body is not my own\u2019 morphing by the end of the poem into \u2018I am not my body\u2019.<\/p>\n<p>Katie Szyszko got the prose readings off to an excellent start, reading a tautly-written prose piece which explored childhood memory, family relations and diaspora experience in both funny and moving ways \u2013 reflecting upon her changing relation to her Grandparents\u2019 orthodox faith.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/joeopenmic1.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-306\" src=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/joeopenmic1-238x300.jpg\" alt=\"joeopenmic\" width=\"238\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/joeopenmic1-238x300.jpg 238w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/joeopenmic1.jpg 767w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/><\/a><\/p>\n<p>Joe Hill read one of the lightest \u2018Dirges\u2019 I\u2019ve yet to hear: a response to his mother telling him that he would have to have children or face being alone, his poem, which started out by seeming to be about his inability to relate to children used a perfectly pitched repetition to achieve a humorous twist at the end of the poem.<\/p>\n<p>Tom Parsons\u00a0read a poem-critique of Richard Linklater&#8217;s 2014 film Boyhood, examining the premises of identification and universality that he sees as underpinning the film of &#8216;this young man with memories you could own&#8217;:<\/p>\n<p>I wanted to see him mainline heroin<\/p>\n<p>Or kill a friend<\/p>\n<p>Or just alienate himself from others<\/p>\n<p>In a way that wasn\u2019t cool or introspective<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/tomopenmic1.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-305\" src=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/tomopenmic1-230x300.jpg\" alt=\"tomopenmic\" width=\"230\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/tomopenmic1-230x300.jpg 230w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/tomopenmic1-784x1024.jpg 784w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/tomopenmic1.jpg 814w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/a><\/p>\n<p>Neelam Saredia read two new poems \u2013\u00a0Neelam is a very accomplished performance poet whose clever observational poems are delivered with energy and panache \u00a0&#8211; she&#8217;s always an enjoyable poet to watch.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/neelamopenmic.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-301\" src=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/neelamopenmic-225x300.jpg\" alt=\"neelamopenmic\" width=\"225\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/neelamopenmic-225x300.jpg 225w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/neelamopenmic-768x1024.jpg 768w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p>Chris Scott, a second year PhD student, read two scenes from his novel <em>Intermission<\/em> \u2013 the first a dialogue, and the second a visually descriptive piece which used short and, most particularly, sentences composed of three adjectives, to great effect.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/chrisopenmic.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-302\" src=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/chrisopenmic-300x225.jpg\" alt=\"chrisopenmic\" width=\"300\" height=\"225\" srcset=\"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/chrisopenmic-300x225.jpg 300w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/chrisopenmic-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>I read some new Sappho translations out with <a href=\"http:\/\/mollybloompoetry.weebly.com\">Molly Bloom<\/a> in January\u00a0&amp; which will be performed more fully at the <a href=\"https:\/\/www.facebook.com\/LGBTWritersWeek\/info\">Centre for Gender, Sexuality &amp; Writings LGBT week<\/a> from the 16-20<sup>th<\/sup> February.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/meopenmic1.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-304\" src=\"http:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/meopenmic1-295x300.jpg\" alt=\"meopenmic\" width=\"295\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/meopenmic1-295x300.jpg 295w, https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/files\/2015\/01\/meopenmic1.jpg 952w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/a><\/p>\n<p>Maryam Ala Amjadi read an excellent poem \u2018What meets the eye may run from the mouth\u2019, soon to be published in the next issue of the feminist magazine <a href=\"http:\/\/www.hystericalfeminisms.com\">Hysteria<\/a>, which also offered a feminist reading of the body and perception.<\/p>\n<p>Then, after wine and mince pies, it was time to wish each other a merry Christmas and say goodbye until next term, when we have another fabulous rostra of writers lined up for the series.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The last Creative Writing reading series of the term offered us the chance to hear some of the current undergraduate and postgraduate students read their work at the open mic night. Duncan MacKay, first-year PhD student, artist and poet (his work can be found at Poetsdoos, Enigma, PN Review and ZONE magazine, his artwork is [&hellip;]<\/p>\n","protected":false},"author":39849,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/posts\/296"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/users\/39849"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/posts\/296\/revisions"}],"predecessor-version":[{"id":323,"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/posts\/296\/revisions\/323"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/media?parent=296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/categories?post=296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/centreforcreativewriting\/wp-json\/wp\/v2\/tags?post=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}