Tuesday Creative Writing Series: Open mic

Simon Smith reading some new poems.

Simon Smith reading some new poems.

Ben Hickman

Ben Hickman

Scarlett Thomas reading from upcoming novel.

Scarlett Thomas reading from upcoming novel.

This week, the Tuesday Creative Writing reading series hosted an open mic evening event to end the term. I’ve always thought open mic nights are terrifying, since you’re showing work to people who also write and who might be into something very different to you. It’s also hard to choose what you’re going to read if you write fiction, as the limit was around one or two A4 sides of writing. Of course, this is also a reason to get excited and learn other techniques and about other people and places and so on… But I still Googled around and found that the fear of being caught out as being unworthy of your occupation by your colleagues and friends is called ‘impostor syndrome’. And so we all had some wine first and no one spoke about our collective fear of public exposure (and some students had just been to a departmental lunch, which meant even more wine and even less fear) and so by the time the reading started, volunteering to read seemed like the best idea in the world.

Well, I still didn’t write my name down, but I was glad to have gone and listened to some awesome new work from both students and staff. I particularly enjoyed Simon Smith’s political poems and Ben Hickman’s poem, ‘The Monkey-Rope’. We also had the pleasure to get a preview of Scarlett Thomas’s upcoming work. The latter was filled with hilarious passages about potatoes (really, lots and lots of potatoes) and dieting and relationship problems. Scarlett started by telling us that it was a ‘work in progress’ (a statement which asserts the existence of the above-mentioned fear at all levels of experience) and so everyone felt more comfortable after that. Needless to say, I really can’t wait for her to finish it!

So here are a few photographs of the brave… Have a good Easter break everyone! I’ll be back with more weekly blog posts after the break (or with any Veg Box events during the holidays)! See you soon.

 

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Tuesday Creative Writing Series: Amy Sackville

amySince this is the first blog post, I thought it might be a good idea to explain how the Tuesday Night Readings work. The audience starts to gather just before 6pm in the Darwin College. I particularly enjoy the informality with which the readings are handled. Before they start, everyone can grab a drink and talk to fellow students and colleagues. The audience is diverse: from undergrads to PhD students, to senior members of staff. The latter means that it is easy to get into a discussion on all sorts of topics before the readings start. Last week, there was a student talking to another about chaos theory, there was a group discussing Derrida’s Spectres of Marx and another group having a heated argument about the thickness of their raincoats. Then, everyone seated, white wine on one hand and a camera on the other, I saw Amy Sackville come into the room and everyone went quiet.

She read the beginning of her new novel, Orkney. Her writing flows with beautiful and direct images all paced by a very calculated – but never contrived – rhythmic style. William Skidelsky from the Telegraph describes Orkney as “impressive, intense and daring” and I think, judging by its reception, the audience agreed.

After the reading, there was a question and answer round. She explained the importance of the location as the base of the structural and conceptual framework of the novel, the layering work behind it, as well as the connections between technical choices (such as her distinctive approach to speech) to thematic concerns (the on-going play between presences and absences in the novel as a whole). You can get Amy Sackville’s Orkney here: http://www.amazon.co.uk/Orkney-Amy-Sackville/dp/1847086640

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