{"id":1725,"date":"2016-10-20T13:47:04","date_gmt":"2016-10-20T13:47:04","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/cantusfirmus\/?p=1725"},"modified":"2016-10-20T15:00:55","modified_gmt":"2016-10-20T15:00:55","slug":"summoned-by-bells-rehearsing-memorial-ground","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/cantusfirmus\/2016\/10\/20\/summoned-by-bells-rehearsing-memorial-ground\/","title":{"rendered":"Summoned by bells: rehearsing ‘Memorial Ground’"},"content":{"rendered":"

So far this term, the University Cecilian Choir<\/strong> has been at work rehearsing\u00a0Memorial Ground<\/em>, a commission by the 14-18NOW<\/em><\/a> project from composer David Lang to commemorate the anniversary of the Battle of the Somme. This fragmentary, hesitant choral piece is full of energy-charged moments of stillness, and the Choir’s performance next month will combine the work\u00a0with poems by Siegfried Sassoon as well as a new poem by poet Nancy Gaffield, Senior Lecturer in Creative Writing in the School of English and the author of\u00a0Tokaido Road<\/em> and\u00a0Continental Drift<\/em>.<\/p>\n

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The University Cecilian Choir<\/p><\/div>\n

In rehearsal this afternoon, words and music came together in dialogue, with phrases from various poems answered by musical responses from the Choir creating moments of real tension. Underlining both words and music, the intoned notes of the tubular bells hung in the air (reminiscent on occasion of the opening of Britten’s\u00a0War Requiem<\/em>), evoking a sombre tone\u00a0that enhances the commemorative atmosphere that\u00a0Memorial Ground<\/em> conjures forth so effectively. Even though we were rehearsing in the wood-panelled concert-hall rather than the intimate, resonant surroundings of Studio 3 Gallery (where the performance on Thurs 10 November will take place), there was still a theatricality to the session as we ran through the whole piece, complete with poetry readings. Particular phrases took on a highly charged dimension – the Choir’s truncated ‘Those who…’ creating an air of expectancy; the sudden tension as Sassoon’s line ‘Soldiers are sworn to action: they must win’ is answered by the Choir’s haunting ‘Those who have fallen…’<\/p>\n

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Rehearsing ‘Memorial Ground’<\/p><\/div>\n

The event on Thursday 10 November<\/strong> will also include a series of image projections drawn from the University’s Special Collections archive, curated by Joanna Baines, relating to materials of the time. The combination of words, music, bells, images and silence promises to create\u00a0a profound, moving and evocative moment of remembrance.<\/p>\n

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Admission to the performance on 10 November is free: more details here<\/strong><\/a>. The event will also be live-streamed: details to follow.<\/p>\n