{"id":828,"date":"2015-03-18T14:15:34","date_gmt":"2015-03-18T14:15:34","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=828"},"modified":"2015-03-18T14:15:34","modified_gmt":"2015-03-18T14:15:34","slug":"showcasing-raphael-conference-at-rome-campus","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2015\/03\/18\/showcasing-raphael-conference-at-rome-campus\/","title":{"rendered":"&#8216;Showcasing Raphael&#8217; Conference at Rome Campus"},"content":{"rendered":"<p>The University of Kent in Rome will be holding a conference &#8211; <em>Showcasing Raphael &#8211; <\/em>in the Auriana auditorium of the American University of Rome, via Pietro Roselli, 16, Rome (Gianicolo) on the afternoon of 1 April 2015 (from 1400, free registration, all welcome). Confirmed speakers and titles as follow below<\/p>\n<p><strong>SESSION I (TOM HENRY, SESSION CHAIR)<\/strong><\/p>\n<p>1400 \u00a0\u00a0 TOM HENRY\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Welcome and <\/em><em>Session Introduction<\/em><\/p>\n<p>1405 \u00a0 SHERYL REISS \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<em>Raphael and the Patronage Game<\/em><\/p>\n<p>1435 \u00a0 DAVID EKSERDJIAN \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Raphael and D\u00fcrer<\/em><\/p>\n<p>1505 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0QUESTIONS<\/p>\n<p>1510 \u00a0 LINDA WOLK-SIMON \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>A Proposal on the Identity of the Sitter in Raphael\u2019s<\/em><\/p>\n<p>Portrait of a Lady with a Unicorn<\/p>\n<p>1540 \u00a0 PAUL JOANNIDES \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Raphael, a Cardinal and a Pope<\/em><\/p>\n<p>1600 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 QUESTIONS AND DISCUSSION<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SESSION II (CLAIRE VAN CLEAVE, SESSION CHAIR)<\/strong><\/p>\n<p>1620 \u00a0 CLAIRE VAN CLEAVE \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<em>Session Introduction and Raphael\u2019s <\/em>Ajax<\/p>\n<p>1630 \u00a0 CLAUDIA LA MALFA \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>To paint a beautiful woman, I need to see many:<\/em><\/p>\n<p><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Raphael\u2019s Portrait Drawings<\/em><\/p>\n<p>1700 \u00a0 BEN THOMAS \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<em>Eloquence in Raphael drawings<\/em><\/p>\n<p>1730 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 QUESTIONS<\/p>\n<p>1735 \u00a0 PAUL GWYNNE \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<em>The Poet and the Prince of Painters: The program \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0of\u00a0<\/em><em>decoration for the Villa Medici by Francesco Sperulo<\/em><\/p>\n<p>1805 \u00a0 TOM HENRY\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Raphael\u2019s Self-portrait with Giulio Romano<\/em><\/p>\n<p>1830 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 QUESTIONS AND DISCUSSION<\/p>\n<p>&nbsp;<\/p>\n<p>DAVID EKSERDJIAN, Professor of History of Art, University of Leicester<\/p>\n<p>PAUL GWYNNE, Professor of Classics, Director of Interdisciplinary Studies, American University of Rome,<\/p>\n<p>TOM HENRY, Professor of History of Art, University of Kent<\/p>\n<p>PAUL JOANNIDES, Emeritus Professor of History of Art, University of Cambridge<\/p>\n<p>CLAUDIA LA MALFA, Professore Straordinario,\u00a0Universit\u00e0 Telematica Uninettuno; Adjunct Professor, American University of Rome<\/p>\n<p>SHERYL REISS, President, Italian Art Society<\/p>\n<p>BEN THOMAS, Senior Lecturer, History of Art, University of Kent<\/p>\n<p>CLAIRE VAN CLEAVE, independent art historian<\/p>\n<p>LINDA WOLK-SIMON, Director and Chief Curator, University Collections, Fairfield University, Fairfield, Connecticut<\/p>\n<p>For further information please contact Prof. T.F.K. Henry, Professor of History of Art, Academic Director for Rome, <a href=\"mailto:T.F.K.Henry@kent.ac.uk\">T.F.K.Henry@kent.ac.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The University of Kent in Rome will be holding a conference &#8211; Showcasing Raphael &#8211; in the Auriana auditorium of the American University of Rome, &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2015\/03\/18\/showcasing-raphael-conference-at-rome-campus\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":39610,"featured_media":767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[25563,50209],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/828"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/39610"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=828"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/828\/revisions"}],"predecessor-version":[{"id":829,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/828\/revisions\/829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/767"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}