{"id":518,"date":"2014-07-21T09:22:35","date_gmt":"2014-07-21T09:22:35","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=518"},"modified":"2014-07-21T09:22:35","modified_gmt":"2014-07-21T09:22:35","slug":"31st-july-iftr-warwick-the-directors-laboratory-probing-the-genesis-of-theatre","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2014\/07\/21\/31st-july-iftr-warwick-the-directors-laboratory-probing-the-genesis-of-theatre\/","title":{"rendered":"31st July, IFTR Warwick &#8211; The Director\u2019s Laboratory:  Probing the Genesis of Theatre"},"content":{"rendered":"<p><strong>THURSDAY\u00a031 JULY 2014<\/strong><br \/>\n<strong> 14:15 &#8211; 15:45<\/strong><br \/>\n<strong> Curated Panel &#8211;\u00a0The Director\u2019s Laboratory:\u00a0Probing the Genesis of Theatre\u00a0<\/strong><\/p>\n<p>GP 6.12 :\u00a0Meeting Room 9, Scarman House, University of Warwick<br \/>\n<strong>Chair Frederik Le Roy<\/strong><\/p>\n<p>Research tracing the genesis of the creation processes in contemporary director\u2019s theatre, make visible a great variety of working methods &#8211; \u201ceach work creates its own method\u201d the Belgian theatre and dance dramaturge Marianne Van Kerkhoven once noted \u2013 that hardly ever follow a predetermined, linear path from inception to result. Collaboration between the director and different collaborators (performers, sound and image designers, dramaturges or technicians), as well as the interdisciplinary and intermedial nature of many of these works make for far more diffuse and complex creation processes than preset models of production make lead us to believe. Even the staging of a classical playtext becomes far more than its transposition \u2018from page to stage\u2019; the working methods of contemporary Regietheater likewise suggest an interweaving of strata and strategies. For this panel, three presenters, each using different methods of access, will focus on the creation process of a different contemporary theatre director to probe and unravel the strata of theatrical creation. Luk Van den Dries will investigate Romeo Castellucci\u2019s \u2018director\u2019s notebooks\u2019, Peter Boenisch will undertake a dialectical analysis of the rehearsal process of a play by Thomas Ostermeier and Clarisse Bardiot will discuss a digital conservation platform used to document the technological theatre of Jean-Fran\u00e7ois Peyret.<\/p>\n<p><strong>Luk Van den Dries Universiteit Antwerpen<\/strong><br \/>\nThe Director\u2019s Notebook: Romeo Castellucci<\/p>\n<p><strong>Peter Boenisch University of Kent<\/strong><br \/>\nThe Dialectical Layering of Contemporary Regie: A Case Study on the Theatre Work of Thomas Ostermeier<\/p>\n<p><strong>Clarisse Bardiot Universit\u00e9 de Valenciennes<\/strong><br \/>\nTheater Research and Big Data: Using Rekall to Document Re-Walden, a Digital Performance by Jean-Fran\u00e7ois Peyret<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THURSDAY\u00a031 JULY 2014 14:15 &#8211; 15:45 Curated Panel &#8211;\u00a0The Director\u2019s Laboratory:\u00a0Probing the Genesis of Theatre\u00a0 GP 6.12 :\u00a0Meeting Room 9, Scarman House, University of Warwick &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2014\/07\/21\/31st-july-iftr-warwick-the-directors-laboratory-probing-the-genesis-of-theatre\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":5263,"featured_media":520,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50018,124],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/518"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/5263"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=518"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/518\/revisions"}],"predecessor-version":[{"id":519,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/518\/revisions\/519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/520"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}