{"id":503,"date":"2014-07-07T08:37:01","date_gmt":"2014-07-07T08:37:01","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=503"},"modified":"2014-07-07T09:41:59","modified_gmt":"2014-07-07T09:41:59","slug":"etrn-conference-thomas-ostermeier-reinventing-directors-theatre-at-the-schaubuhne-berlin","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2014\/07\/07\/etrn-conference-thomas-ostermeier-reinventing-directors-theatre-at-the-schaubuhne-berlin\/","title":{"rendered":"ETRN Conference &#8211; Thomas Ostermeier: Reinventing Directors\u2019 Theatre at the Schaub\u00fchne Berlin"},"content":{"rendered":"<p style=\"color: #000000\">On the occasion of the performance of Ostermeier&#8217;s 2012 Schaub\u00fchne production of Ibsen&#8217;s<em>\u00a0An Enemy of the People (Ein Volksfeind)\u00a0<\/em>at the Barbican London (24-28 September 2014), we invite you to take part in an<strong>\u00a0International Symposium<\/strong>,\u00a0<em>presented by:<\/em><\/p>\n<p style=\"color: #000000\"><em>European Theatre Research Network (ETRN) \/ University of Kent, University of Essex, University of Birmingham, Universit\u00e9 de Paris Sorbonne Nouvelle, Goethe-Institut London, Institut Fran\u00e7ais &amp; French Embassy London, Schaub\u00fchne Berlin and Royal Central School of Speech and Drama, University of London<\/em><\/p>\n<p style=\"color: #000000\"><strong>Thursday 25 &amp; Friday 26 September 2014<\/strong><\/p>\n<p style=\"color: #000000\">Conference Programme:<\/p>\n<p style=\"color: #000000\"><strong>Thursday 25 September 2014<\/strong><br \/>\n<strong>Venue: Barbican Centre, Silk Street, London EC2Y 8DS<\/strong><br \/>\nMap Location: https:\/\/goo.gl\/maps\/PAxI3; nearest underground stations: Barbican (Circle, Hammersmith &amp; City, and Metropolitan Line), Moorgate (Nothern Line)<\/p>\n<p style=\"color: #000000\"><strong>5pm<\/strong> Conference Registration, Barbican Frobisher Room.<\/p>\n<p style=\"color: #000000\"><strong>5.30pm Backstage Talk<\/strong> <strong>\u2018Making Theatre at the Schaub\u00fchne\u2019<\/strong> with Ostermeier\u2019s collaborators Jan Pappelbaum (set designer) and Florian Borchmeyer (dramaturg), hosted by designer Chloe Lamford and playwright Duncan Macmillan.\u00a0<em>This public event can be booked separately, see below.<\/em><\/p>\n<p style=\"color: #000000\"><strong>7.45<\/strong> performance \u2018An Enemy of the People\u2019 (Barbican Theatre; for ticket holders; running time 2hrs20mins, no interval),\u00a0followed by a post-show discussion with Simon Mc Burney, Thomas Ostermeier and members of the company (Barbican Theatre)<\/p>\n<p><strong><br \/>\nFriday 26 September 2014<\/strong><br \/>\n<strong>Venue: Royal Central School of Speech and Drama, 62-64 Eton Avenue, London NW3 3HY<br \/>\n<\/strong>Map\u00a0Location: https:\/\/goo.gl\/maps\/0q63e, nearest underground stations: Swiss Cottage (Jubilee Line), Finchley Road (Metropolitan Line, ca 10 min walk)<\/p>\n<p>Sessions take place at <strong>New Studio<\/strong>, except for Workshop 2 at Room D<\/p>\n<p><strong>9am<\/strong> arrival<\/p>\n<p><strong>9.30<\/strong> <strong>Welcome<\/strong> from the Royal Central School of Speech and Drama and the conference organisers Clare Finburgh (University of Essex), Vicky Angelaki (University of Birmingham) and Peter M Boenisch (University of Kent), followed byPlenary Session Art and the Political in Thomas Ostermeier\u2019s Theatre, with presentations from:<\/p>\n<p><span style=\"line-height: 1.5\">*Jitka Goriaux Pelechov\u00e1 (Universit\u00e9 Paris 8), <\/span><em style=\"line-height: 1.5\">The Baracke Phenomenon<\/em><\/p>\n<p>*Hana Worthen (Barnard College, Columbia University), <em>Liberal Humanism and Theatrical Propriety: Thomas Ostermeier&#8217;s Ein Volksfeind in New York 2013<\/em><\/p>\n<p>*Marina Ceppi (University of Buenos Aires), <em>Ostermeier in Buenos Aires: Transforming theater reception through politics<\/em>.<\/p>\n<p><span style=\"line-height: 1.5\">*Arnaud Ma\u00efsetti (Universit\u00e9 Aix-Marseille), <\/span><em style=\"line-height: 1.5\">Thomas Ostermeier: Le D\u00e9pli politique de l\u2019histoire<\/em><span style=\"line-height: 1.5\"> (Paper in French, English summary provided)<\/span><\/p>\n<p><strong>11.30<\/strong> <em>break<\/em><\/p>\n<p><strong>11.40<\/strong> Professor Fr\u00e9d\u00e9ric Maurin (Universit\u00e9 de Paris Sorbonne Nouvelle), keynote lecture <em><strong>Thomas Ostermeier Within and Without the Schaub\u00fchne<\/strong><\/em>. Chair: Clare Finburgh, University of Essex.<\/p>\n<p><strong>12.30pm<\/strong> <em>Lunch<\/em><\/p>\n<p><strong>1.30<\/strong> Thomas Ostermeier (Schaub\u00fchne Berlin), lecture<em><strong> \u2018Totus mundus agit histrionem\u2019: Staging and Playing Shakespeare.<\/strong><\/em> Chair: Professor Simon Shepherd, Deputy Principal, Royal Central School of Speech and Drama<\/p>\n<p><strong>2.15<\/strong> <strong>Acting Ostermeier<\/strong> \u2013 Schaub\u00fchne ensemble actors Christoph Gawenda, Eva Meckbach, David Ruland and Moritz Gottwald in conversation with Ramin Gray (Artistic Director, Actors Touring Company) and Andrew Haydon (Theatre Critic, <em>The Guardian, \u2018Postcards from the Gods\u2019<\/em>-blog)<\/p>\n<p><strong>3.15<\/strong> <em>break<\/em><\/p>\n<p><strong>3.30 PARALLEL WORKSHOP SESSIONS<\/strong><\/p>\n<ul>\n<li><strong>Workshop 1 \u2013 Ostermeier\u2019s Directions: Texts, Techniques and Practices (New Studio); Chair: Clare Finburgh, University of Essex,<\/strong> with contributions from<\/li>\n<\/ul>\n<p>*Jozefina Komporaly (De Montfort University), <em>Regietheater or Collaborative Practice: Thomas Ostermeier\u2019s Border Politics<\/p>\n<p><\/em>*Benjamin Fowler, (University of Warwick), <em>Perceiving the Cube: Ostermeier, Shakespeare &amp; Sensuality<\/p>\n<p><\/em>*Viktoria Volkova (Freie Universit\u00e4t Berlin), <em>Rehearsing a sketch: Thomas Ostermeier\u2019s work on Death in Venice\/Kindertotenlieder<\/p>\n<p><\/em>*Claire Legendre (Universit\u00e9 de Montr\u00e9al), <em>La v\u00e9rit\u00e9 comme enjeu theatral: Ostermeier entre th\u00e9\u00e2tre dialectique et le naturalisme (title tbc)<\/em><\/p>\n<p><strong>3.30 Workshop 2 \u2013 Ostermeier around the world: Global perspectives (Room D); Chair: Vicky Angelaki, University of Birmingham<\/strong><\/p>\n<p>*Viktoria Ebel (University of Mainz), <em>Ostermeier in France: Cultural Difference in Theatre Systems<\/em><\/p>\n<p>*Yuh J. Hwang (Trinity College Dublin), <em>Women, locked alone in a room with no exit: Ostermeier in Korea<\/em><\/p>\n<p>*Andrew Goldberg (CUNY Graduate Center), <em>Whistleblowing in the Age of WikiLeaks: Thomas Ostermeier\u2019s An Enemy of the People and Individual Agency<\/em><\/p>\n<p>*April Albert (University of Melbourne), <em>A German national treasure: Kane or Ostermaier? The reception of Thomas Ostermaier\u2019s Zerbombt in London and Berlin<\/em><\/p>\n<p><strong>5.10<\/strong> <em>break<\/em><\/p>\n<p><strong>5.15<\/strong> <strong>Professor Marvin Carlson (CUNY), <em>Thomas Ostermeier and Capitalist Realism<\/em>.<\/strong> Lecture and Concluding Debate. Chaired by Kim Solga (Western University, Canada)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Conference booking at ostermeier.eventbrite.com<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Booking Options:<\/strong><\/p>\n<ol>\n<li><strong>Full Conference Package<\/strong> including Backstage Talk, Friday symposium day incl. lunch and performance ticket for Thursday 25 September incl. post-performance discussion: \u00a350 full price; \u00a335 conc.;<\/li>\n<li><strong>Conference only<\/strong> incl. Backstage Talk and Friday symposium day incl. lunch: \u00a330, \u00a315 conc.;<\/li>\n<li><strong>Backstage Talk<\/strong> \u2018Making Theatre at the Schaub\u00fchne\u2019 only, Thursday 5.30-7.15pm, Barbican Frobisher Room, with Jan Pappelbaum, Florian Borchmeyer, Chloe Lamford and Duncan Macmillan, \u00a38, \u00a36 conc.<\/li>\n<\/ol>\n<p><strong><br \/>\nSymposium conveners: <\/strong><\/p>\n<ul>\n<li><strong>Peter M Boenisch, University of Kent<\/strong><\/li>\n<li><strong>Clare Finburgh, University of Essex, &amp; Vicky Angelaki, University of Birmingham<\/strong><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>On the occasion of the performance of Ostermeier&#8217;s 2012 Schaub\u00fchne production of Ibsen&#8217;s\u00a0An Enemy of the People (Ein Volksfeind)\u00a0at the Barbican London (24-28 September 2014), &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2014\/07\/07\/etrn-conference-thomas-ostermeier-reinventing-directors-theatre-at-the-schaubuhne-berlin\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":5263,"featured_media":504,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50018,124],"tags":[84114,84130,5082],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/503"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/5263"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=503"}],"version-history":[{"count":9,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/503\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/503\/revisions\/513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/504"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}