{"id":4837,"date":"2021-07-27T13:03:48","date_gmt":"2021-07-27T12:03:48","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=4837"},"modified":"2021-07-27T13:04:10","modified_gmt":"2021-07-27T12:04:10","slug":"dr-james-newton-publishes-new-book-exploring-the-mad-max-film-series","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2021\/07\/27\/dr-james-newton-publishes-new-book-exploring-the-mad-max-film-series\/","title":{"rendered":"Dr James Newton publishes new book exploring the &#8216;Mad Max film series"},"content":{"rendered":"<p>Dr James Newton, Lecturer in Media Studies, has published his new book exploring the legacy and influence of the &#8216;Mad Max&#8217; film series.<\/p>\n<p><i>The Mad Max Effect<\/i> provides an in-depth analysis of the <i>Mad <\/i><i>Max<\/i> series, and how it began as an inventive concoction of\u00a0a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase\u00a0cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget &#8216;road warrior&#8217; movies that appeared on home video in the 1980s.<\/p>\n<p><i>The Mad Max Effect<\/i> is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and\u00a0examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape.<\/p>\n<p>Find out more about <a href=\"https:\/\/www.bloomsbury.com\/uk\/mad-max-effect-9781501342295\">James&#8217; new book<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr James Newton, Lecturer in Media Studies, has published his new book exploring the legacy and influence of the &#8216;Mad Max&#8217; film series. The Mad &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2021\/07\/27\/dr-james-newton-publishes-new-book-exploring-the-mad-max-film-series\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":74034,"featured_media":4838,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1123,168423,124],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/4837"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/74034"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=4837"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/4837\/revisions"}],"predecessor-version":[{"id":4840,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/4837\/revisions\/4840"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/4838"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=4837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=4837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=4837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}