{"id":2855,"date":"2019-10-02T14:26:34","date_gmt":"2019-10-02T13:26:34","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=2855"},"modified":"2019-10-02T15:31:47","modified_gmt":"2019-10-02T14:31:47","slug":"film-student-selected-for-essay-award","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/10\/02\/film-student-selected-for-essay-award\/","title":{"rendered":"Film student selected for essay award"},"content":{"rendered":"<p>George Turner, currently studying <a href=\"https:\/\/www.kent.ac.uk\/courses\/undergraduate\/99\/film\">BA (Hons) Film<\/a> at the School of Arts, has had his essay, entitled &#8216;The Spectacle of (In)Justice: The Ethics of the Judicial System in Documentary Cinema&#8217;, selected as &#8216;Highly Commended&#8217; by <a href=\"https:\/\/undergraduateawards.com\/\">The Global Undergraduate Awards 2019<\/a> in the category Music, Film and Theatre.<\/p>\n<p>The Global Undergraduate Awards is the world\u2019s leading undergraduate awards programme which recognises top undergraduate work, shares this work with a global audience and connects students across cultures and disciplines. George says &#8216;to be selected was an exciting and humbling surprise&#8217;. George&#8217;s essay was originally written for the <a href=\"https:\/\/www.kent.ac.uk\/courses\/modules\/module\/FI602\">Documentary Cinema<\/a> module which George took in his second year, and says of his teachers: &#8216;<a href=\"https:\/\/www.kent.ac.uk\/arts\/people\/academic-staff\/cinquegrani.html\">Dr Maurizio Cinquegrani<\/a> and Dr Zahra Tavassoli Zea&#8217;s inspired teaching helped push me to write the essay the way I did&#8217;.<\/p>\n<p>The essay examines how we consume contemporary documentaries. The huge responses to crime\/investigation documentaries such as <em>Making a Murderer<\/em> or <i>Conversations with a Killer<\/i> raises ethical issues concerning the production and distribution of such films. George&#8217;s essay brings these various complications to the fore by examining the styles, subject matters and consequential effects of three documentaries; <em>Capturing the Friedmans<\/em> (2003, Andrew Jarecki); <em>Titicut Follies<\/em> (1967, Frederick Wiseman); <em>Sisters In Law<\/em> (2004, Kim Longinotto).<\/p>\n<p>In addition to winning this award, another of George&#8217;s essays, enitlted &#8216;&#8221;Thy Shall Bear Witness!&#8221;: A Case for the Continued Admiration of Early Cinema&#8217;, has recently been published by independent online film publication <a style=\"background-color: #ffffff\" href=\"https:\/\/www.electricghost.co.uk\/\">Electric Ghost Magazine.<\/a><\/p>\n<p>In this essay, George puts forth an argument for the creative virtues of silent cinema and notes &#8216;silent cinema should not be disregarded as an underdeveloped version of the same cinematic attraction. In contemporary viewing, early silent cinema serves a different purpose; it is not an inferior predecessor to a superior successor, but an alternative form of film altogether&#8217;.<\/p>\n<div id=\"comp-k0h3ljod\" class=\"txtNew\" data-packed=\"true\">\n<p class=\"font_7\">George&#8217;s essay can be found here: <a href=\"https:\/\/www.electricghost.co.uk\/single-post\/essay\/a-case-for-the-continued-admiration-of-early-cinema\">www.electricghost.co.uk\/single-post\/essay\/a-case-for-the-continued-admiration-of-early-cinema<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>George Turner, currently studying BA (Hons) Film at the School of Arts, has had his essay, entitled &#8216;The Spectacle of (In)Justice: The Ethics of the &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/10\/02\/film-student-selected-for-essay-award\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":55813,"featured_media":2453,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1123,124,26567],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2855"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/55813"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=2855"}],"version-history":[{"count":11,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2855\/revisions"}],"predecessor-version":[{"id":2883,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2855\/revisions\/2883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/2453"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=2855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=2855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=2855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}