{"id":2723,"date":"2019-08-08T14:21:12","date_gmt":"2019-08-08T13:21:12","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=2723"},"modified":"2019-08-08T14:21:12","modified_gmt":"2019-08-08T13:21:12","slug":"phd-student-kasia-senyszyn-writes-on-accessible-theatre-for-the-stage","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/08\/08\/phd-student-kasia-senyszyn-writes-on-accessible-theatre-for-the-stage\/","title":{"rendered":"PhD student Kasia Senyszyn writes on accessible theatre for The Stage"},"content":{"rendered":"<p>Kasia Senyszyn, who is studying for a <a href=\"https:\/\/www.kent.ac.uk\/courses\/postgraduate\/351\/drama-by-research\">PhD in Drama by Research<\/a> in the <a href=\"https:\/\/www.kent.ac.uk\/arts\/\">School of Arts<\/a>, supported by the <a href=\"https:\/\/www.kent.ac.uk\/scholarships\/search\/FNADALUMNI02\">Alumni Postgraduate Research Scholarship<\/a>, has just contributed an opinion piece for <a href=\"https:\/\/www.thestage.co.uk\/\"><em>The Stage<\/em><\/a> on making theatre inclusive.<\/p>\n<p>Established in 1880, <em>The Stage<\/em> is a British weekly newspaper for the entertainment industry, with a particular focus on theatre.<\/p>\n<p>In her article, entitled \u2018It\u2019s Time For Action, Not Excuses, On Inclusive Theatre\u2019, Kasia argues for the need for theatres to make their shows more accessible and inclusive.<\/p>\n<p>\u2018Tagging things as \u2018accessible\u2019 in a programme also implies only that work is accessible to everyone, which is often not the case,\u2019 she argues in the piece. \u2018For example, dance is often accessible for D\/deaf people. A poetry reading is often accessible for visually impaired people. In an ideal world, we wouldn\u2019t need to tag something as \u2018accessible\u2019 because everything would be. For now, I suppose, we need it. But in reality, it\u2019s just about being more explicit about what our work includes.\u2019<\/p>\n<p>However, drawing on her PhD research, Kasia makes suggestions for changes that theatres can easily make. \u2018There are real things that theatre companies can do, even those on a budget like many at the [Edinburgh] fringe. A projector and PowerPoint can be used to do captions in your show. YouTube can add automatic captions to videos&#8230; An audio brochure or programme can be done with you recording the written material yourself on SoundCloud.\u2019<\/p>\n<p>Kasia is artistic director of the <a href=\"https:\/\/www.parrot-theatre.co.uk\/about\">Parrot Theatre Company<\/a>, which will be performing <a href=\"https:\/\/www.kent.ac.uk\/arts\/newsandevents\/index.html?view=2021\">an accessible version of Mark Wilson\u2019s play <em>Talk<\/em><\/a> at the Edinburgh Festival from Sunday 11 August until Saturday 17 August 2019. For details of these performances, please see the page <a href=\"https:\/\/edinburghfestival.list.co.uk\/event\/1298472-talk\/\">here<\/a>.<\/p>\n<p>To read the full piece, please see <em>The Stage<\/em> site here:<br \/>\n<a href=\"https:\/\/www.thestage.co.uk\/opinion\/2019\/artistic-director-kasia-senyszyn-its-time-for-action-not-excuses-on-inclusive-theatre\/\">www.thestage.co.uk\/opinion\/2019\/artistic-director-kasia-senyszyn-its-time-for-action-not-excuses-on-inclusive-theatre\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kasia Senyszyn, who is studying for a PhD in Drama by Research in the School of Arts, supported by the Alumni Postgraduate Research Scholarship, has &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/08\/08\/phd-student-kasia-senyszyn-writes-on-accessible-theatre-for-the-stage\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":2458,"featured_media":2726,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50018,168428,124,26567],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2723"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/2458"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=2723"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2723\/revisions"}],"predecessor-version":[{"id":2724,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2723\/revisions\/2724"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/2726"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=2723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=2723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=2723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}