{"id":2644,"date":"2019-07-22T13:56:19","date_gmt":"2019-07-22T12:56:19","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=2644"},"modified":"2019-07-22T13:56:19","modified_gmt":"2019-07-22T12:56:19","slug":"ben-thomas-on-hendrick-goltzius-at-durham","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/07\/22\/ben-thomas-on-hendrick-goltzius-at-durham\/","title":{"rendered":"Ben Thomas on Hendrick Goltzius at Durham"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.kent.ac.uk\/arts\/people\/academic-staff\/thomas.html\">Dr Ben\nThomas<\/a>, Reader in the <a href=\"https:\/\/www.kent.ac.uk\/arts\/hpa.html\">Department\nof Art History<\/a>, will give a paper entitled &#8216;The Protean Line of Hendrick\nGoltzius&#8217; at the Durham Early Modern Studies 2019 conference at the University\nof Durham, held tomorrow, Tuesday 23 July. <\/p>\n\n\n\n<p>Hendrick Goltzius (1558-1617) was a German-born Dutch artist\nand printmaker from the early Baroque. Ben\u2019s paper examines Goltzius&#8217;s knowing\nand expressive use of a distinctive, swelling, engraved line in his prints, and\nit is in turn part of a book project about the role of prints in the history of\nart entitled <em>The Artist and the Print<\/em>.<\/p>\n\n\n\n<p>Ben will also take part in&nbsp;the session &#8216;The Language of\nLines&#8217;, which is itself part of an ongoing research project on Renaissance\nKeywords organised by Ita MacCarthy and&nbsp;Richard Scholar (Durham). <\/p>\n\n\n\n<p>For more details, please see the webpage here:<br>\n<a href=\"https:\/\/www.dur.ac.uk\/imems\/events\/conferences\/?eventno=38761\">www.dur.ac.uk\/imems\/events\/conferences\/?eventno=38761<\/a>\u200b<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr Ben Thomas, Reader in the Department of Art History, will give a paper entitled &#8216;The Protean Line of Hendrick Goltzius&#8217; at the Durham Early &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/07\/22\/ben-thomas-on-hendrick-goltzius-at-durham\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":2458,"featured_media":2601,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[25563,168429,50209,124,9112],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2644"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/2458"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=2644"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2644\/revisions"}],"predecessor-version":[{"id":2645,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2644\/revisions\/2645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/2601"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=2644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=2644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=2644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}