{"id":2217,"date":"2019-04-03T18:26:02","date_gmt":"2019-04-03T17:26:02","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=2217"},"modified":"2019-05-22T13:50:17","modified_gmt":"2019-05-22T12:50:17","slug":"call-for-papers-pro-social-play","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/04\/03\/call-for-papers-pro-social-play\/","title":{"rendered":"Call for papers: &#8216;Pro-Social Play&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/www.kent.ac.uk\/arts\/people\/academic-staff\/shaughnessy.html\">Professor Nicola Shaughnessey<\/a>, Professor of Performance in the <a href=\"https:\/\/www.kent.ac.uk\/arts\/drama.html\">Department of Drama and Theatre<\/a> and <a href=\"https:\/\/www.kent.ac.uk\/arts\/people\/assistant-and-associate-lecturers\/declerq.html\">Dr Dieter Declercq<\/a>, Assistant Lecturer in <a href=\"https:\/\/www.kent.ac.uk\/arts\/film.html\">Film<\/a> and <a href=\"https:\/\/www.kent.ac.uk\/arts\/media.html\">Media Studies<\/a>, along with <a href=\"https:\/\/www.chiaoitseng.de\/\">Dr Chiao-I Tseng<\/a> from the <a href=\"https:\/\/www.uni-bremen.de\/en.html\">University of Bremen<\/a>, are organising an international conference entitled &#8216;Pro-Social Play! Storytelling and Well-being across Media Borders&#8217;. The conference will be hosted by the <a href=\"https:\/\/www.kent.ac.uk\/arts\/index.html\">School of Arts<\/a> from Thursday 17 October to Saturday 19 October 2019.<\/p>\n<p>Plenary speakers include\u00a0<a href=\"http:\/\/www.uva.nl\/profiel\/f\/o\/c.j.forceville\/c.j.forceville.html\">Charles Forceville<\/a> (Media Studies, University of Amsterdam);\u00a0<a href=\"https:\/\/www.uibk.ac.at\/psychologie\/mitarbeiter\/greitemeyer\/\">Tobias Greitemeyer<\/a>, Social Psychology (University of Innsbruck;\u00a0<a href=\"https:\/\/www.mpib-berlin.mpg.de\/en\/staff\/anja-laukoetter\">Anja Lauk\u00f6tter<\/a>, Max Planck Institute for Human Development, Berlin); and\u00a0<a href=\"http:\/\/hub.hku.hk\/cris\/rp\/rp02071\">Harry Yi-Jui Wu<\/a>, (Medical Ethics and Humanities, Hong Kong University).<\/p>\n<p>The conference will also include a screening of\u00a0<a href=\"https:\/\/www.imdb.com\/title\/tt5700176\/\"><em>Dark River<\/em><\/a>\u00a0(2017), followed by a round table discussion with\u00a0<a href=\"https:\/\/www.kent.ac.uk\/arts\/people\/academic-staff\/barnard.html\">Clio Barnard<\/a>, the award-winning director and Reader in <a href=\"https:\/\/www.kent.ac.uk\/arts\/film.html\">Film<\/a> in the School of Arts, as well as workshops by artists at the arts charity People United on prosocial performances.<\/p>\n<p>This truly interdisciplinary and international conference brings together scholars of\u00a0 empirical and theoretical research as well as practitioners working on narrative arts for promoting pro-social behaviours and mental well-being across different media. To date, the pro-social narratives have often been studied with a focus on testing people&#8217;s media exposure and pro-social effects. Nevertheless, as explicitly pointed out by most of these studies, we also need to investigate how the narrative factors are designed, structured and mobilised in a specific coherent way to effectively achieve the intended prosocial and mental health purposes. Hence, it is crucial to advance the theoretical link between the\u00a0<em>design choice<\/em>\u00a0of narrative, media technological features for engaging people in difficult topics and their pro-social response. Establishing the link is precisely the main objective of this conference. This includes, but is not limited to, the following topics:<\/p>\n<ul>\n<li>Narrative factors for evoking people&#8217;s empathy, achieving educational purposes<\/li>\n<li>Link between prosocial behaviour and mental health<\/li>\n<li>Storytelling, practical application and mental health<\/li>\n<li>Narrative medicine\u200b<\/li>\n<li>Technology features of different media platforms that afford, strengthen or constrain the pro-social, persuasive functions of narratives<\/li>\n<li>Impact of social cultural conventions on different narrative designs<\/li>\n<li>Historical perspectives of pro-social storytelling<\/li>\n<li>Transmedia comparison of pro-social messages, for instance, across film, TV, comics, video games, games, literature, etc.<\/li>\n<li>Pro-social storytelling in social media<\/li>\n<li>Pro-social storytelling through live performances and live interaction<\/li>\n<li>Balance between emotional engagement and message credibilities<\/li>\n<li>Empirical evidence of pro-social, persuasive functions in storytelling across media<\/li>\n<li>Pro-social narrative designs for children and adolescents<\/li>\n<\/ul>\n<p>Submissions may take the form of research papers on these themes, or workshops by artists, designers, health professionals and other practitioners working on pro-sociality and storytelling.<\/p>\n<p>Please send abstracts of 300 words max. along with a short biography of 100 words max. in PDF or Word format to\u00a0<a href=\"mailto:mail@prosocial-narrative.org\">mail@prosocial-narrative.org\u00a0<\/a>by Sunday <strong>30 June 2019<\/strong>.<\/p>\n<p>For more details about the conference, please see the page here:<br \/>\n<a href=\"http:\/\/www.prosocial-narrative.org\/\">www.prosocial-narrative.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Professor Nicola Shaughnessey, Professor of Performance in the Department of Drama and Theatre and Dr Dieter Declercq, Assistant Lecturer in Film and Media Studies, along &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2019\/04\/03\/call-for-papers-pro-social-play\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":55813,"featured_media":2246,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50018,1123,168428,118135,124,9112],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2217"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/55813"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=2217"}],"version-history":[{"count":8,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2217\/revisions"}],"predecessor-version":[{"id":2284,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/2217\/revisions\/2284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/2246"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=2217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=2217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=2217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}