{"id":178,"date":"2013-11-27T13:10:43","date_gmt":"2013-11-27T13:10:43","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=178"},"modified":"2013-11-27T13:10:43","modified_gmt":"2013-11-27T13:10:43","slug":"russia","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2013\/11\/27\/russia\/","title":{"rendered":"Russia"},"content":{"rendered":"<p>The exhibition \u2018Visions of Utopia: Soviet Posters of the 1920s and 1930s from the Marx Library Collection\u2019 at Pushkin House (5a Bloomsbury Square, London, WC1A 2TA) is the most recent by-product of Grant Pooke\u2019s long-term research on this rediscovered cache of posters. He is also presenting new research on Frances Klingender, the subject of his major 2008 monograph, in the paper \u2018Klingender\u2019s Goya, the Zhdanovshchina and the New Left\u2019 at the <i>Social and Human Sciences Conference (\u2018Both Sides of the Iron Curtain\u2019),<\/i> Poletayev Institute for\u00a0Theoretical and Historical\u00a0Studies in the Humanities, National Research University \u2014\u00a0Higher School of Economics, Moscow (October 19<sup>th<\/sup> 2013).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition \u2018Visions of Utopia: Soviet Posters of the 1920s and 1930s from the Marx Library Collection\u2019 at Pushkin House (5a Bloomsbury Square, London, WC1A &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2013\/11\/27\/russia\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":8710,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[25563,50209],"tags":[100402,50237,50225],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/178"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/8710"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/178\/revisions"}],"predecessor-version":[{"id":179,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/178\/revisions\/179"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}