{"id":1059,"date":"2015-11-09T15:14:17","date_gmt":"2015-11-09T15:14:17","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/arts-news\/?p=1059"},"modified":"2015-11-09T15:21:17","modified_gmt":"2015-11-09T15:21:17","slug":"dr-margethe-bruun-vaage-publishes-the-antihero-in-american-television","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/arts-news\/2015\/11\/09\/dr-margethe-bruun-vaage-publishes-the-antihero-in-american-television\/","title":{"rendered":"Dr Margrethe Bruun-Vaage publishes &#8216;The Antihero in American Television&#8217;"},"content":{"rendered":"<p>Film lecturer Dr Margrethe Bruun-Vaage has recently published her new book &#8216;The Antihero in American Television&#8217; with Routledge.<\/p>\n<blockquote><p>The antihero prevails in recent American drama television series. Characters such as mobster kingpin Tony Soprano (<i>The Sopranos<\/i>), meth cook and gangster-in-the-making Walter White (<i>Breaking Bad<\/i>) and serial killer Dexter Morgan (<i>Dexter<\/i>) are not morally good, so how do these television series make us engage in these morally bad main characters? And what does this tell us about our moral psychological make-up, and more specifically, about the moral psychology of fiction?<\/p><\/blockquote>\n<p>For more information about the book or to get your copy go to the <a href=\"https:\/\/www.routledge.com\/products\/9781138885974\">Routledge website.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film lecturer Dr Margrethe Bruun-Vaage has recently published her new book &#8216;The Antihero in American Television&#8217; with Routledge. The antihero prevails in recent American drama &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/arts-news\/2015\/11\/09\/dr-margethe-bruun-vaage-publishes-the-antihero-in-american-television\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":39610,"featured_media":1060,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1123],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/1059"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/users\/39610"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/comments?post=1059"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/1059\/revisions"}],"predecessor-version":[{"id":1063,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/posts\/1059\/revisions\/1063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media\/1060"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/media?parent=1059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/categories?post=1059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/arts-news\/wp-json\/wp\/v2\/tags?post=1059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}