{"id":58,"date":"2020-12-15T13:59:02","date_gmt":"2020-12-15T13:59:02","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/artistry\/?p=58"},"modified":"2021-01-20T14:56:16","modified_gmt":"2021-01-20T14:56:16","slug":"some-recommended-holiday-reading","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/artistry\/2020\/12\/15\/some-recommended-holiday-reading\/","title":{"rendered":"Some Recommended Holiday Reading"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-94\" src=\"http:\/\/blogs.kent.ac.uk\/artistry\/files\/2021\/01\/Barthes.jpg\" alt=\"\" width=\"1120\" height=\"630\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>An ideal bit of holiday reading about photography is Roland Barthes&#8217; classic study of the medium, Camera Lucida. Its a short book that, unlike most works of photographic \u201ctheory&#8221;, has a distinctly poetic quality that seems so appropriate since you will be hard pressed to find a theory in it. Its lovely to read, with interesting and quite challenging ideas on nearly every page. It will certainly get you thinking about that most powerful of media &#8211; that\u2019s one of his ideas by the way, that photography has an extraordinary power over us. A wonderful companion piece to this work of Barthes\u2019 is Susan Sontag\u2019s equally short, accessible and interesting study of the photographic medium entitled On Photography. Barthes and Sontag take a related approach to thinking about photography that you are likely to find really thought provoking. A very different and more historical companion piece to these two is Michael Pritchard\u2019s A History of Photography in 50 Cameras which provides a fascinating insight into the way the development of photographic technologies influenced the history of photography and what kind kind of photographs could be made. Alternatively, have a look at Graham Clarke\u2019s The Photograph: A Visual and Cultural History. Its still one of the best short general histories of photography and is, as they say, richly and wonderfully illustrated. You can download it here: https:\/\/monoskop.org\/images\/c\/c6\/Clarke_Graham_The_Photograph_1997.pdf<\/p>\n<p>But the holidays are also a time for watching old films and there are two in which the theme of photography looms large. The first is the 1991 film\u00a0<em>Proof<\/em> directed by Jocelyn Moorhouse. It a dark comedy about a blind photographer who takes photographs as proof of what his friends and carers describe is in front of him. You can watch a trailer here:\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=PixfPsnh5Xw\">https:\/\/www.youtube.com\/watch?v=PixfPsnh5Xw<\/a><\/p>\n<p>The other film is the 2006 film <em>Fur: An Imaginary Portrait of Diane<\/em> <em>Arbus<\/em> directed by Steven Shainberg.\u00a0 Arbus is among the really great photographers of the 20th century, and she undoubtedly led\u00a0 a very interesting life. This is a fictionalised biopic that, although far from perfect, takes the viewer into the circumstances which inspired an extraordinary photographer. You can watch the trailer here: <a href=\"https:\/\/www.youtube.com\/watch?v=SODvv2xxvgI\">https:\/\/www.youtube.com\/watch?v=SODvv2xxvgI<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; An ideal bit of holiday reading about photography is Roland Barthes&#8217; classic study of the medium, Camera Lucida. Its a short book that, unlike &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/artistry\/2020\/12\/15\/some-recommended-holiday-reading\/\">Read&nbsp;more<\/a><\/p>\n","protected":false},"author":73464,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[239662],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/posts\/58"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/users\/73464"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/posts\/58\/revisions"}],"predecessor-version":[{"id":96,"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/posts\/58\/revisions\/96"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/media?parent=58"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/categories?post=58"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/artistry\/wp-json\/wp\/v2\/tags?post=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}