Category Archives: Artwork

Prescriptions: artists’ books

1 August – 17 November 2017
Curators: Stella Bolaki, Egidija Čiricaitė, Elspeth Millar, Helen Blomfield

This, is my Crisis, by Elizabeth Fraser. Photo by Egidija Čiricaitė

Waiting rooms, pills, bandages, surgery, ageing, death, healing, joy, relaxation, consultation, distress and pain are ubiquitous experiences, shared around the world. This exhibition responds to such experiences through the intimate and complex medium of the artist’s book.

The artists’ books in this exhibition were first shown at Prescriptions, an exhibition at The Beaney House of Art & Knowledge, Canterbury between April and August 2016, curated by Dr Stella Bolaki and Egidija Čiricaitė. A selection of the books were deposited with the University of Kent’s Special Collections & Archives.

The books on display in Prescriptions: artists’ books demonstrate a wide range of materials and bookbinding techniques. Bringing together books on cancer, chronic illness, disability, mental health, surgery, medicine and wellbeing, this exhibition reveals the communicative power of book art and its therapeutic potential.

Prescriptions: artists’ books includes work by: Martha Hall, Sophie Adams, Penny Alexander, Karen Apps, Heather Beardsley, Gaby Berglund Cardenas, Julie Brixey-Williams, Egidija Ciricaite, Allison Cooke Brown, Margaret Cooter, Amanda Couch, Sue Hague, Cas Holmes, Gemma Lacey, Pauline Lamont-Fisher, Andrew Malone, Anne Parfitt, David Paton, Corinne Perry, Stevie Ronnie, Mary Rouncefield, Erin K. Schmidt, Randi Annie Strand, Noriko Suzuki-Bosco, Amanda Watson-Will, Susie Wilson.

Further links

Capturing Collaborations

2 August – 17 November 2017
Artist: Keith Robinson

Capturing Collaborations. Image by Keith Robinson

Four paintings by artist Keith Robinson visually interpret a project from the School of Biosciences at the University of Kent (working with the University of Manchester).

This project is called BioProNET — short for the Bioprocessing Network — and it aims to facilitate interactions between academic and industrial scientists from across the UK in order to help find cheaper ways to make medicines that are currently very expensive.

Keith took his initial inspiration for the paintings from the interconnecting geometric patterns of Islamic art. He then toured the Bioscience labs at Kent to gain insight into scientific materials and concepts, before researching the people, companies and universities involved in BioProNET.

The four pieces — entitled Conception, Interaction, Location and Community — reflect the ideas, research, materials, people and places involved in BioProNET, as well as the collaborative nature of scientific research.

Mundus Subterraneous

SarahCraskeMundusSubterraneousFilmStillMundus Subterraneous, the Templeman Library’s first commissioned art installation, is an exciting new piece by artist in residence Sarah Craske, revealing the microscopic life forms hidden in the Library.

It opened on 21 March 2016, and is on show in the Templeman Gallery at various times throughout the year, among other events.

Sarah forensically swabbed items from our Special Collections to collect the microflora growing on them. She then cultivated them and documented their growth, blending it with an image from Athanasius Kircher’s seventeenth-century work Mundus Subterraneus from our collections. Using macro and timelapse photography, digital and analogue technologies, Sarah has created a short film depicting the beauty of the unseen microbial world in our books.

Pictured above: a still from the film.

Pigments of Life

A duo display of artworks by Sara Choudhrey and Michael Green
17 October – 9 December 2016

Pigments of Life, an exhibition by Sara Choudhrey and Michael Green

Pigments of Life illustrates the world around us through different yet similar eyes.

The selected artworks are a testament to the influence of the beauty and mysteries of the natural world. They feed into creativity, contributing to an ever-changing hybrid society.

Artists Sara Choudhrey and Michael Green highlight that regardless of our differences and similarities as a diasporic community scattered around the world, at the root of everything we all value, and often take for granted, our beautiful natural environment. Our basic make-up will always keep us connected.

Together, Sara and Michael provide a stunning and colourful array of visuals, not only acknowledging our hybrid and global community, but also celebrating it.

Mundus Subterraneous: the Templeman Library’s first commissioned art installation

The Templeman Library’s first commissioned art installation, is on show in the Templeman Gallery at various times throughout the year, among other events.

Mundus Subterraneous is an exciting new piece by artist in residence Sarah Craske, revealing the microscopic life forms hidden in the Library.

Sarah forensically swabbed items from our Special Collections to collect the microflora growing on them. She then cultivated them and documented their growth, blending it with an image from Athanasius Kircher’s seventeenth-century work Mundus Subterraneus from our collections. Using macro and timelapse photography, digital and analogue technologies, Sarah has created a short film depicting the beauty of the unseen microbial world in our books.

Watch the full installation and project background

Beyond the classic library activities of curation, discovery and provision of content, we now see the emergence of libraries as centres for collaborative learning and research. At the same time as digitising and curating our own physical collections, we are curating ever greater bundles of born digital content. Digital is convenient, accessible and available wherever you are. As we make this journey into the digital, fundamental shifts are happening to the way we experience libraries. Sarah was invited to work with our staff and students to explore some of these changes in the library experience.

As part of this project Sarah also created the Microbiota Archive. This is a colourful collection of photos of microscopic growths taken from the hands of Library and IT staff.

Pictured above: a still from the film.

The Templeman Library’s first art commission

Update: This installation is now on display.

An interdisciplinary projection installation

We have commissioned an exciting, interdisciplinary projection installation, which will become one of the inaugural artworks to be displayed in the new Templeman Library wing, from September.

Library books are handled by thousands of people, all leaving their microflora mark. As time passes, books become centres of microbial data and data transfer.

The artwork will explore the potential of demonstrating an object actively growing and revealing its microflora, with the hope to reveal the ‘unseen’ to the library audience and make people aware of their own personal interactions with the objects they use.

The artist, Sarah Craske, describes the work as having “a reinterpretation of information and knowledge exchange, whilst questioning digital and physical relationships and reflecting on their tensions.”

Image shown above: ‘Metamorphoses’ by Sarah Craske

Four books have been shortlisted:

Top left, Mundus Subterraneus 1665. Top right, Metamorphoses 1640. Bottom left, The Cyclopedia of Art and Sciences 1728. Bottom right, Emblems of Mortality [date unknown].

Top left, Mundus Subterraneus 1665. Top right, Metamorphoses 1640. Bottom left, The Cyclopedia of Art and Sciences 1728. Bottom right, Emblems of Mortality [date unknown].

Sarah will choose which book will form the basis of the installation.

Students and staff will be invited to contribute to this piece of work through an event where they can volunteer anonymously a fingerprint on a bed of agar in a petri dish. Working with the School of Biosciences, these samples will be collected and cultivated.

After a few days they will have grown to reveal the anonymous microflora collected, which can then be displayed in the Library and directly demonstrates the unseen world they contribute to.

The process

Two different scientific approaches can be applied when working with the books. The leaves can be carefully swabbed using forensic techniques and cultures created separately therefore not damaging the books, or the leaves themselves can be submerged in agar and filmed whilst revealing their microbial world.

Using microscopes and time lapse photography, the cultured microflora’s growth will be documented and then layered over an image of the book, creating a film which will reveal the beauty of the unseen microbiological world of archival material. A film projection within one of the Templeman Library’s new exhibition spaces, will run from September.

The artist

Through mixed media and performance, Sarah Craske creates work that reflects on the cultural relationship between art and science. She lives and works between London, Canterbury and Ramsgate, UK and exhibits globally. She is currently based as a postgraduate student at Central St Martins at the University of the Arts London and as an Honorary Research Fellow and Research Associate here in the Centre for the History of the Sciences at the University of Kent.

Her research activity – working with Dr. Charlotte Sleigh, of the University’s School of History, and Dr Simon Park from the University of Surrey – has recently been awarded an AHRC Innovation Award, in recognition of their innovative contribution to collaborative inter-relationships between the sciences, arts and humanities.

Metamorphoses: Gaming Art and Science with Ovid’ specifically examines art and science relationships and methodologies. Working towards an exhibition of hybrid arts and science knowledge and starting from core research questions, which include reflection upon disease history, social history, and material data. A 300-year-old English copy of Ovid’s Metamorphoses is being analysed, ‘read’ and reinterpreted through a biological lens.

For further information on the project please follow @UKCLibraryIT on Twitter.