Category Archives: Events

Talks: Visiting Artists in Fine Art at the School of Music and Fine Art

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Artists from activist group Liberte Tate stage a performance in Tate Britain on the anniversary of the Deepwater Horizon explosion that killed 11 workers and released 4.9 million barrels of oil into the Gulf of Mexico. A naked member of the group has had an oil-like substance poured over him by silent figures dressed in black and wearing veils, and is now lying in a fetal position on the floor in the middle of the exhibition Single Form. Dedicated to the human body, Single Form is one of a series of British Art Displays staged throughout the galleries of Tate Britain.

Visiting Artists’ Talks

Autumn term 9th October – 11th December 2014

The Clocktower Building Lecture Theatre
The School of Music and Fine Art
University of Kent
Chatham Historic Dockyard
Kent
ME4 4TZ

Kent School of Music and Fine Art in Chatham is very proud to announce a program of visiting artists, writers, filmmakers, curators and performers who will talk about their work on consecutive Thursdays for 10 weeks commencing from the 9th October 2014.  These talks follow the success of the previous Visiting Artists’ Talks earlier in the year and the Autumn term’s lineup showcases female artists working in a variety of contemporary artistic fields. This program shows the astonishing breath and scale of contemporary artists practice. Each speaker is renowned in their own field and uses imagery, materials and processes differently to pose distinct and searching questions and to address the urgent concerns of our age.

Fiona Boundy, known curator and producer of Artlands North Kent, will be speaker at the next talk on the 16th October.

All talks are free to attend and are open to all. The programme for the term is as follows:

Ruth Ewan 9th Oct
Fiona Boundy  16th Oct
Hannah Rickards 23rd Oct
Lindsay Seers  30th Oct
Hayley Newman 6th Nov
Ope Lori  13th Nov
Trish Scott 20th Nov
Kirsten Glass 27th Nov
Jananne Al-Ani   4th Dec
Ami Clark  11th Dec

View all the artist profiles and more information on the School of Music and Fine Art’s page.

A free shuttle service operates for Kent students and staff travelling between Kent campuses: more information on the Kent website.

Image: Liberate tate, Amy Scaife/Corbis

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UNDEREXPOSED – SERIES OF TALKS

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FREE lectures by leading experts – guarantee your seat today or it may be standing room only!
Making a difference. Women artists as printmakers by Gill Saunders, Senior Curator (Prints), Victoria & Albert Museum
Saturday, 17 May 2014 from 10:30 to 12:00
Paula Rego as Printmaker by Paul Coldwell, artist and Professor in Fine Art at the University of the Arts London
Thursday, 22 May 2014 from 18:00 to 20:00
The different techniques of printmaking by contemporary artist and Kent alumna Dawn Cole
Saturday, 24 May 2014 from 14:00 to 16:00
Gwen Raverat: her history, wood engravings and circle of friends by her grandson, William Pryor
Saturday, 31 May 2014 from 14:00 to 16:00
Biting through: the relationship between etchings, lithographs and screenprints and my kinetic sculpture by Liliane Lijn
Saturday, 7 June 2014 from 14:00 to 16:00
Black, white and one: developing a print portfolio from artwork to gallery by Fiona de Bulat, artist, lecturer and cofounder of ‘DBA editions’ print studio
Thursday, 12 June 2014 from 18:00 to 20:00
‘Beauty in art’ and ‘My printmaking techniques’ by the celebrated artist Anita Klein PPRE Hon RWS
Saturday, 14 June 2014 from 14:00 to 16:00

 

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Portraits and a Dream: Art & Language

Art & Language were formed in 1967/68 out of the collaboration of four artists: Mike Baldwin, Terry Atkinson, David Bainbridge and Harold Hurrell. The group’s name derived from their journal Art-Language, that existed ‘as a work in conversation’ from 1966 onwards. During the 1970s the name served as a common identity for various artists involved in a range of international collaborations, though from the late 1970s Art & Language have consisted of Mike Baldwin, Mel Ramsden and Charles Harrison, until the latter’s death in 2009. Widely considered to be one of the first, most influential and controversial conceptual art groups, Art & Language have exhibited globally, including at Documenta, the Lisson Gallery and the Museum of Modern Art, New York. The Tate Gallery, the Getty Museum and Barcelona have holdings of their work. They were nominated for the Turner Prize in 1986.

Art & Language’s work is characterized by a diverse array of activities and projects commonly characterized by the resistance to categorization and by an ‘openness of effect’ and meaning. Their oeuvre marks a historical turn toward a more theoretical, linguistic and critical intervention into the context of fine arts production. Much of their work provokes reflection on the institutional conditions of making and contemplating works of art and reflects critically on the history of modern art and contemporary practice, as well as the uses and functionality to which culture and cultural objects are put. A central concern of their oeuvre from the beginning, as the name Art & Language implies, is the exploration of the relationship between the linguistic and visual and the questions involved in the interrelation and understanding of the one in terms of the other.

The installation Portraits and a Dream involves a series of interrelated works, including written texts, poster-portraits pasted on the gallery walls and another set of the same printed writings cut up and fashioned into paper-chains. This is a demotic motif Art & Language have been using for the past couple of years, but one whose meanings are linked to the swirling linear forms of the paintings of Jackson Pollock, whose Portrait and a Dream (1953) is referenced in the work’s title. As Charles Harrison has commented, the apparently ‘perverse’ motif of the paper-chain represents a response to ‘the critical requirement that…whatever in practice is inflated – in scale, in genre, in professional ambition, in technical adventure – must at some point be brought low.’ The ‘decorative’ paper-chains of Art & Language simultaneously bring the work of art down to earth while re-configuring its form and meanings.

Portraits and a Dream was first exhibited at the Lisson gallery in 2010; the exhibition at Gallery 3 presents a new version of the work. A fully illustrated catalogue with an essay by the curator Jon Kear and texts by Art & Language is available. Mike Baldwin and Mel Ramsden will also be doing a number of seminars in conjunction with the exhibition.

Jon Kear, Curator Portraits and a Dream

Portraits and a dream invitation

3 Oct to 16Dec
Mon-Fri 9am-5pm
Free, Disabled Access

Studio 3 Gallery
Jarman Building
School of Arts
Canterbury Campus
University of Kent

(tel: 01227 827228, web: www.kent.ac.uk/arts.hpa/exhibitions)

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