Tag Archives: music

50th Anniversary Medway RECREATE Bursary

We are happy to announce the awards of the first ever Recreate 50th Anniversary Bursary, to two School of Music and Fine Art graduates

The two awards, of £4,250 each, have gone to Claire Orme (Fine Art) and Drew York (Music) to fund the creation of new work for an eight week exhibition to be held at the Rochester Art Gallery from the17th January – 14th March 2015

The awards are part of our evolving partnership work with the local authority arts development through the Recreate project

As part of the bursary Rochester Art Gallery provides the following:

  • The gallery space for an 8 week show
  • Support and advice to develop your show and supporting activities/partnerships
  • A technician to install/take down
  • Preview evening event with free wine
  • All design and print for exhibition info/invite cards, posters
  • A gallery info wall panel
  • Insurance for the work
  • Transport by art courier to and from the gallery if required
  • A modest exhibitors fee (TBC)
  • Media/press liaison
  • Basic online web/facebook presence

We are delighted that our graduates are winners of this award.

For more information on RECREATE Medway, please see the website.

 

Globus Hystericus takes Electroacoustic Music and Video Art to Athens

Tim Howle and Nick Cope will be performing Globus Hystericus during the International Computer Music Conference (ICMC) in Greece this September.

Director of Recruitment, Admissions and Internationalisation at the School of Music and Fine Art, Tim Howle, and Nick Cope  of Xi’an Jiaotong-Liverpool University are attending the special event in Athens, Greece from 14-20 September 2014.

Globus Hystericus combines Electroacoustic Music and Video Art and is a piece of audio-visual work that utilises the two media in an equitable way. The principles of acousmatic music are extended to incorporate parallel ideas found in video art.

By taking these ideas beyond simple underpinning or reinforcement, the sounds are imbued with multiple meanings. The piece exploits post-acousmatic possibilities and examines the creative relationships between visual and audio material in terms of hybridisation by establishing an equitable, collaborative, approach typified by Chion’s ‘audio-visual contract’

Further details of the conference are available on the ICMC website.

New ‘Platform Series’ music events return for 2014/5

School of Music and Fine Art are starting the new academic year with a swing and launching our new musical Platform Series for 2014/15

Kent Platform Series Poster

  • Autumn Term: 20th October to 15th December
    Mondays 4-5pm, Wednesdays 12-1pm
  • Spring Term: 9th February to 10th April

This year our programme expands to include two regular weekly live performance events, at the Medway Campus. There will be showcases from student performers across a wide spectrum of genres and material by student composers/songwriters, including both solo and ensemble and band sets. There will also be a number of invited performances by both invited guest artists and our own renowned and high profile instrumental and vocal Tutors.

Performances are open to the public and take place in the Galvanising Shop on the Dockyard.

If you are visiting from outside the Department, please contact MFAReception@kent.ac.uk for event information.

Download the Platform Series Poster

MAAST system sound diffusion at Farnborough

MAAST participates in the event Speed of Sound – Aerodynamics and experimental acoustics, part of the Wind Tunnel Project

The School of Music and Fine Art’s ‘Music and Audio Arts Sound Theatre’ (MAAST) system diffused a series of live electroacoustic,
acousmatic works and sound installations at Farnborough Wind Tunnels, on Sunday 6 July 2014.

IMG_1651

Speed of Sound interprets a history of aero-acoustic advancement through a half-day of talks and performances re-activiating the decommissioned space of Q121 and remarkable air return duct. Manipulation of acoustics plays an important role for twenty-first century developments in aviation and experimental music. Investigating ideas of noise and turbulence, and approaches to sensing and recording, this event converges findings in aerodynamics and experimental sound practices as invited artists and speakers engage with the physical uses of sound.

Programme:

Graham Rood (Sound & vibration research / wind tunnel engineer / FAST Museum)

An introduction to the history and practice of aeroacoustic research in the wind tunnels at Farnborough.

Aki Pasoulas & Paul Fretwell (SMFA, University of Kent)

Diffusing their acousmatic works Arborescences and King’s Cross. With special guest Peiman Khosravi and his 6-channel work Vertex. Testing the limits of Kent University’s full Genelec diffusion sound system installed throughout the event spaces.

Teleplasmiste (Mark Pilkington/ Strange Attractor with Michael J York)

Testing the space with an experimental demonstration of standing waves and resonant frequencies in the unique acoustic environment of the tunnels.

Sound as Terror (Royal College of Art)

A presentation of sonic research into the use of drones in contemporary conflict.

Cindytalk (Editions Mego) 

A set embodying the micro-events of wind flow and dynamics, found here in a push of elemental sources and synthesis.

Dalhous (Blackest Ever Black)

Finding a new soundtrack for the wind tunnel – a live set created to embody the space and its physics.

The Wind Tunnels at Farnborough have opened to the public for the first time, 50 years after they stopped operating.  Aircraft from Spitfires to Concorde were tested on the premises. http://www.airsciences.org.uk/windtunnels.html

 

School of Music & Fine Art – PhD Scholarships for September 2014 entry

School of Music and Fine Art are celebrating our inaugural year and are delighted to announce up to THREE fee waiver PhD scholarships (Home/EU rate) for PhD students.

NEW phd scholarships kent

The Scholarships are available to UK, EU and overseas students and will cover tuition fees (at the home/EU rate). They are offered for one year in the first instance, renewable for a maximum of three years subject to satisfactory academic performance.

Criteria

In order to be eligible for these scholarships, applicants should apply for, and subsequently receive an offer of, a place at the University of Kent for one of the following PhD courses for September 2014 entry.

  • Fine Art (Practice as Research)
  • Music and Technology*

Please note that new PhDs in Music (Research, Composition or Performance) are in the final stages of approval within the University and applicants for these areas are encouraged to apply for PhD Music and Technology with the understanding that they can then transfer onto the new PhDs upon arrival (subject to approval) where appropriate.

The scholarship competition is open to all doctoral research applicants who have applied or are applying to the School of Music and Fine Art for entry in the academic year starting September 2014. Please visit Kent’s postgraduate pages for comprehensive information about how to apply for postgraduate research study.  These Scholarships are only open to applicants whose proposed first supervisor is in the School of Music and Fine Art. Please see SMFA staff pages for further information on potential supervisors.

Please note that all of these Scholarships will be based at the University of Kent’s Medway campus.

How to apply

In addition to their application for study, all new doctoral research applicants wishing to be considered for these scholarships must:

  • Complete a scholarship application form [Word docx, 55KB]
  • Provide a copy of their CV
  • Write a covering letter. Each applicant should supply the names, addresses, telephone numbers and emails of two referees.

Deadline

The deadline for receipt of applications is 11 August 2014. Shortlisted applicants will be invited to a panel-led interview in early September 2014 with study to commence later that month.

Scholarships application forms, CVs and covering letters (including referee details) should be sent by post or by email to:

Email: MFAadmissions@kent.ac.uk
Post: Research Scholarship Applications,
c/o Recruitment & Admissions Administrator,
School of Music & Fine Art,
The Old Surgery,
The Historic Dockyard,
Chatham Maritime,
Kent ME4 4TE

Further enquiries about these scholarships should be directed to:
Kathryn Sansom, Recruitment and Admissions Administrator, School of Music and Fine Art MFAadmissions@kent.ac.uk, 01634 202962 / 01634 888980

TONE Festival Event – Steve Klee’s Artist Talk

Steve Klee Artist’s talk

Klee_Steve1-Large-narrow1

When: Sunday 15 June, 14:00 – 15:00
Where: POP 64-66 High Street, Chatham

Join us for a FREE artist’s talk by Steve Klee ‘Re-animating the Archive’, about his exhibition and performance work for TÖNE.

Steve Klee’s exhibition relates to his performances Too Prolix: A Tour Out of Time for TÖNE on Saturday 21st June at The Historic Dockyard.

Through his archival research of the site he will re-perform with actors the political events of the Dockyard using the performative gestures detailed in Francis Nivelon’s The Rudiments of Genteel Behavior (1737) and this exhibition will show the archival traces that he has used to construct his tour.

 

 

TONE Festival Event – Kathy Hinde Workshop

Kathy Hinde workshop

K_HINDE-home

When: Saturday – Sunday 14-15 June, 12:00 – 15:00
Where: Cafe, Fort Amherst

Artist Kathy Hinde will be at Fort Amherst in the cafe to make thousands of origami birds. These will be used in her fascinating installation Twittering Machines in the Gate House during the festival weekend (20-22 June) which will be a sonic and visual combination of bird-song imitation machines fashioned from old morse code keys, twittering mechanised music boxes, a rustling cloud of paper birds twitching overhead, a 78rpm recording of nightingales with a cello, or the echo of Lancaster bombers.

 

 

The Future of Film and Storytelling – Sarah Turner talks at EMERGE, June 19

Step into the future of film, as The East End Film Festival explores the convergence of film, digital and storytelling at EMERGE.

Sarah Turner will be speaking on June 19, about her work and methods in relation to a new project – Public House. The Barbican, London will be hosting the day of talks, discussions and networking, featuring radical thinkers, digital pioneers and innovators in film and video.

Sarah Turner Emerge Barbican

Public House fuses fact and fiction in a multi layered exploration of memory, community and social reinvention. Activated in response to the community takeover of the Ivy House pub, London, SE15, this feature length work for cinemas is a shape shifting genre hybrid that moves from observational document to minimalist opera. Interweaving testament, performance poetry and an innovative soundscape that fuses acousmatic composition and verbatim librettos, the film explores individual and cultural memory and its resonance in shaping social spaces.

Book here

EMERGE- THE CONVERGENCE OF FILM, DIGITAL AND STORYTELLING
9am / The Future of Film and Storytelling
The Barbican
19 June 2014
09:00-17.30
We take a glimpse forward to the year 2024 as we predict, speculate and debate how the creative process of filmmaking and audience experiences will evolve over the next 10 years.

The day is divided across 3 areas:

  1. Experiments in Moving Image
  2. The Future of the Film Industry
  3. Interactive Storytelling

We will also explore the impact our fast changing digital society will have on the world of film, with exclusive filmed contributions from sociologists, filmmakers and experts in the world of convergent technology.

Speakers on the day include:
• Sheffield Doc/Fest and Crossover
• Sarah Turner – Artist, Writer and Filmmaker (Perestroika)
• Anna Higgs – Head of Digital, Film4
• Martin Percy – Interactive Director (Lifesaver)
• Ed Cookson – Project Director (Sarner / The Sancho Plan)
• Evan Boehm – Director and Coder (Nexus, The Carp and The Seagull)
• Stephen Follows – Producer, Catsnake Film
• Sarah Tierney – Founder, We Are Colony
• Fernando R Gutierrez De Jesus – Director (Create Your Own Documentary)

For more information or to book this event click Barbican Theatre and Dance Event Details

Useful links:
EMERGE
Sarah Turner

Shona Illingworth presents at Central St Martins Symposium

Anxious Places: Angst, environment and affective contamination

Central St Martins College, London,
26th June, 2014
10.15 – 17.30

“Commentators claim that contemporary culture is dominated by anxiety. From individual uncertainties to global economic, social and political insecurities, anxiety pervades our lives and affects our interactions with people and places. Anxious Places examines the ways in which anxiety ‘contaminates’ urban, social, and natural environments and asks how histories are implicated in making it a cultural script. Artists and scholars
discuss contemporary angst from a range of cross-disciplinary perspectives and artistic mediums.”

Speakers: Jill Bennett, Frank Furedi, Avery Gordon, Andrew Hoskins, Shona Illingworth, Uriel Orlow, Jeremy Till, David Toop, and John Tulloch
Organised by Dr Caterina Albano

The symposum is part of UAL collaboration to the London Festival of Anxiety and Mental Health.

Download the Symposium PDF Anxiety symposium 1 9
Book this event

TONE Festival – Too Prolix: A Tour Out Of Time

Steve Klee performs ‘Too Prolix: A Tour Out Of Time’ as part of the TONE Festival on Sat 21st June 6-7pm.

This performance is accompanied by an exhibition of artefacts and research material.
Tuesday 10th – Sunday 15th June at POP Space, 64-66 High Street, Chatham, ME44DS

Private View: Tuesday 10th June, 4-6pm
Artist Talk: Sunday 15th June 2-3pm

Steve Klee_Tone

To check out details and join us in many more exciting events visit www.tonefestival.com [2] and follow us @tonefestival to hear the latest news!

School of Music and Fine Art – TONE Festival

Purchase a ticket and register: http://www.tonefestival.com/buy-tickets/
For
more information: https://www.facebook.com/events/670856142987250/

If you are interested in attending the PV of research material at POP on the 10th, please email s.klee@kent.ac.uk.

Special thanks to Mark Bills, Gainsborough’s House, Suffolk for the loan of ‘Rudiments of Genteel Behaviour’ (1737) by Francois Nivelon

Photo credit: Morgan Hill-Murphy