Muster Station, The School of Beginnings at Tate Exchange, 3rd – 4th February

 

SMFA Fine Art students are part of the new artists’ collective Muster Station, created in response to the University of Kent’s planned closure of the School of Music and Fine Art. As Muster Station, they have been invited by Whitstable Biennale, to take part in the 2018 Tate Modern Exchange projects, with a theme “Production”.  It will involve current Fine Art BA and MA students (as well as recent Fine Art BA and MA alumni), is open to the public throughout, and free to attend.  Through a programme of workshops, talks, interactions and interventions Muster Station will explore the means by which artists produce in response to constantly shifting conditions of space, time, audience and the ebb and flow of economic and political support.

The venue is Tate Exchange, Tate Modern, Bankside, London, SE1 9TG in the Blavatnik Building, Level 5.

For more info see http://www.tate.org.uk/whats-on/tate-modern/tate-exchange/workshop/muster-station-school-beginnings

 

Opening hours:
Saturday 3 – Sunday 4 February, 12:00 – 18:00
Performance:
Saturday 3 February, 18:00 – 20:00

Taking place intermittently throughout the weekend:

A data conservator will interpret the code of the Tate website through a translation
of digital coding into musical notation. The Gov.UK art-collection will also be dissected
and performed in sung and spoken live-burst performances.

  • Beyond Art Lectures, a ‘cultural telemarketing’ project with artists from Latin America that promotes the idea of outsourcing art lectures by taking advantage of unfair labour conditions.
  • Join in a Muster Drill, mixing yoga and semaphore signals for an invisible audience on the Thames, exploring care and communion.
  • A live action role play accompanied by musicians performing their interpretations of symbol-based graphic scores made in response to artworks in the permanent collection.
  • To close the day on Saturday, a one-off performance of Shears For Tears:’unrestrained screamers’, mixed into an audioscape, orchestrated by a video-chromatic score.