This week we welcome ‘Visiting Artist’ Matthew Darbyshire

MATTHEW DARBYSHIRE is an artist, exhibiting internationally but based in Rochester, Kent. Working across media, his ‘architectural interventions, installations and displays of consumer objects hone in on the gap between what is promised by those who shape our world and what is actually on offer.’

Matthew Darbyshire

05th March, 2015

The Galvanising Shop
Free, everyone welcome!

Matthew Darbyshire Visiting Artists Talk 5th March 5.30pm SMFA

He has had solo public exhibitions at Gasworks, London; The Hayward, London; The Zabludowicz Collection, London; Kettles Yard, Cambridge; Tramway, Glasgow; GAM, Turin; The FRAC, Dunkirk and The Hepworth, Wakefield. Darbyshire has exhibited in various major UK survey shows including Tate Britain’s Triennial Altermodern, curated by Nicolas Bourriaud in 2009, and the British Art Show 7 Days of the Comet, curated by Tom Morton and Lisa Le Feuvre 2010. His work has been exhibited worldwide at institutions including Bangkok Cultural Centre, Thailand; Fundacion Miro, Spain, Marco Museum, Spain and The FRAC pas de Calais, France.

He currently has a solo exhibition at Lisa Cooley Gallery, New York and is preparing a survey exhibition for Manchester Art Gallery. He is also in the process of realizing two large-scale public commissions – one for the Dutch government in Amsterdam and the other for Cambridge University here in the UK. Matthew is represented by Herald St Gallery in London and Jousse Enterprise in Paris.

This week we welcome ‘Visiting Artist’ Jeremy Deller

JEREMY DELLER is an artist working across media with a multi-faceted practice that uniquely engages with our popular and traditional culture.

Jeremy Deller Photo

26th February, 2015

The Galvanising Shop
Free, everyone welcome!

Jeremy Deller Poster

Winner of the Turner Prize (2004) and represented Britain at the Venice Biennale (2013). Jeremy Deller is one of the UK’s most celebrated contemporary artists.

Adam Chodzko: Great Expectations Exhibition

B&Q, Gillingham and Guildhall Museum, Rochester

13 February – September 2015

Big Screen, Waterfront Pumping Station, Chatham

13 February – 24 April 2015

Press preview: 13 February 2015

Adam 1 Adam 2

An Eye if placed at five Feet above the Surface of the Earth or Sea, sees two Miles & a Quarter every way: but if it be at twenty feet high, it can see 5 3/4 miles.

David Jennings

(words found on the reverse of the Seaton Tool Chest inventory,

from An Introduction to the Use of the Globes, and the

 Orrery: As Also the Application of Astronomy to Chronology, 1766)



Inspired by a series of enigmas surrounding the world’s most complete collection of 18th century tools, artist Adam Chodzko’s Great Expectations weaves together past, present and future in a new video and sculpture connecting public spaces in the Medway towns of Gillingham, Rochester and Chatham with the private interiors of home and school.  Great Expectations is the final commission in Hoodwink’s three-year programme of site-specific projects in the everyday places of Kent.


Housed in Rochester’s Guildhall Museum, the Seaton Tool Chest is a large wooden cabinet housing the 200 tools that were a gift from cabinetmaker Joseph Seaton to his son Benjamin in 1796.  Benjamin had responded to his father’s generosity by using the tools to make a beautiful cabinet to store them in, then never used them again.  For Chodzko this act is the perfect symbol of acceptance and rejection between child and parent.


Combining animation and documentary, Chodzko’s video explores these subversive ideas, re-imagining the chest as a conceptual art object transformed into a virtual entity or spaceship in a revolution instigated by the tools.  Now living in digital form, the tools narrate their history, a tale of familial, social and cosmic joinery.  They also claim to have made Ark Eye, a wooden sculptural object that has crash-landed from their digital universe into ours, to become a sci-fi museum curiosity.


Over six months Great Expectations appears in the consumerist surroundings of a DIY store, the rarefied environment of the museum, as a hyper-real intrusion on a massive screen overlooking a busy bus station and car park, in the domestic residence of a traditional sign-writer and his graphic-designer daughter, and within a school community.


Adam Chodzko’s art explores the interactions and possibilities of human behaviour through video installations and subtle interventions, situated both within the gallery and the wider public realm.


Great Expectations is realised in partnership with The Guildhall Museum Rochester, & Medway Council, 


For further information, images and interviews please contact Janette Scott Arts PR on or +44(0)7966 486156.

Notes To Editors

Great Expectations, 2015 (9 mins) and Ark Eye  13 February – 26 March, B&Q, Will Adams Way, Gillingham, Kent, ME8 6BY.  Open  Monday – Friday 07:00 – 20:00, Saturday 07:00 – 19:00 and Sunday 10:00 – 16:00.  For more information

 Great Expectations, 2015 (9 mins), 13 February – September 2015.  The Guildhall Museum, High Street, Rochester, Kent ME1 1PY.  Open Tuesday – Sunday 10:00 – 17:00. Closed Mondays.  Free Admission.   For more information

 Great Expectations, 2015 (9 mins), Big Screen, Chatham Waterfront Pumping Station, Globe Lane, Chatham Kent ME4 4SI.

 Great Expectations, 2015 (9 mins), domestic interior,Rochester, 27 March – 24 April 2015.

 Great Expectations, 2015 (9 mins), Bradfields Academy Special School, Chatham, Kent, 24 April – 23 July 2015.

 Adam Chodzko lives and works in Whitstable, Kent.  Since 1991 he has exhibited extensively in international solo and group exhibitions including: Tate Britain; Tate St Ives; Venice Biennale; Royal Academy, London; Raven Row, London; Deste Foundation, Athens; PS1, NY; Ikon Gallery, Birmingham; Kunstmuseum Luzern; Henry Moore Institute, Leeds; Yorkshire Sculpture Park; Athens Biennale; Istanbul Biennial; Benaki Museum, Athens. Recent projects include commissions by Tate Britain, Creative Time, New York, The Contemporary Art Society, Frieze Art Fair, and Hayward Gallery.  In 2002 he received awards from the Hamlyn Foundation and the Foundation for Contemporary Art, New York, and in 2007 was awarded an AHRC Research Fellowship at the University of Kent, Canterbury.  His work is in the collections of the Tate, The British Council, The British Film Institute, The Arts Council, APT, Auckland City Art Gallery, Contemporary Art Society Collection, The Creative Foundation, Frac Languedoc-Rousillon, GAM – Galleria d’Arte Moderna, Turin, Grizedale Arts, MAMBo – Museo d’Arte Moderna di Bologna, Plains Arts Museum, North Dakota, USA, Saatchi Collection, South London Gallery, Towner Gallery Eastbourne, and international private collections.





Five of our students, who are destined to do exceptional things and are a real credit to the School of Music and Fine Art have been awarded the £5000 students project grant scheme by the University of Kent for their project “Wetlands”!!!!

The project is based in the Hoo peninsular and works with the community of Watermen.  It’s got a real ethnographic feel to it.

Wetlands is a project initiated by a group of five artists graduating this year from the University of Kent, Medway, with a BA in Fine Art:

  • Nadia Perrotta
  • Ben Crawford
  • Angela Ioannidou
  • Georgina Wilcox
  • Clarinda Tse

Medway and in particular, the Hoo peninsula, has always held a connection with water. Humans are beholden to the sea, perhaps as much as the land, and even though this relationship maybe more fractured now, people in this area still share a symbiotic bond. It is lived on, used for sustenance, always present. Through a series of participatory events and happenings Wetlands will interact with the local community, creating a connection between them, their maritime history and wetland landscape.

The time run of the project will be from February to June. In June we will run a series of events and activities leading to the closing main event: a site specific and interactive walking art tour in Hoo peninsula, where we would like to involve also other students from the School of Music and Fine Art.

Wetlands plan to create a series of 10 art events for 5 days in June 2015 to celebrate the 50th anniversary of the University and its creative talents of the present, to inspire the future generations of the local community in Medway, with a particular focus on the areas in need of regeneration such as Hoo peninsula.


This week we welcome ‘Visiting Artists’ Adam Broomberg & Oliver Chanarin

Adam Broomberg and Oliver Chanarin are artists based in London. Their work, explores how truth is presented through our media, particularly via the photographic image. Working with photographic archives, often adopting and questioning techniques of photo-journalism, their practice incorporates text, montage, found-footage, photography and performance in order to reveal the hidden power relations that are used to manipulate apparently ‘reliable’ imagery.

Broomberg and Chanarin poster

19th February, 2015

The Galvanising Shop
Free, everyone welcome!

Broomberg and Chanarin poster

Together they have had numerous international exhibitions including The Museum of Modern Art, Tate Britain, Tate Liverpool, The Gwangju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery, Mathaf Arab Museum of Modern Art and Museo Jumex. Broomberg & Chanarin are Visiting Fellows at the University of the Arts London. Their work is represented in major public and private collections including Tate Modern, The Museum of Modern Art, the Stedelijk Museum, Victoria and Albert Museum, Musee de l’Elysee, The International Center of Photography, and the Art Gallery of Ontario.

In 2013 they were awarded the Deutsche Börse Photography Prize for War Primer 2, and most recently they were awarded the ICP Infinity Award 2014 for their publication, Holy Bible. Current and upcoming exhibitions include Conflict, Time, Photography at Tate Modern, the Shanghai Biennale 2014, and Cross Section of a Revolution at Lisson Gallery, London.

This week we welcome ‘Visiting Artist’ Sally O’Reilly

Sally O’Reilly is a writer. Her divergent subject matter contributes to an on-going investigation into how knowledge is generated, obtained and expressed.

sally o'reilly poster

12th February, 2015

The Galvanising Shop
Free, everyone welcome!

sally o'reilly poster

Contributing regularly to many art and culture publications, including Art Monthly, Art Review, Cabinet, Frieze and Time Out, O’Reilly has written many essays and short fiction for international museums and galleries. Her book The Body in Contemporary Art was published by Thames & Hudson in 2009 and she was co-editor of the thematic, interdisciplinary broadsheet Implicasphere (2003-8). She also makes video documentaries, has curated and produced numerous performative events and was co-curator of the Hayward Touring Exhibition ‘Magic Show’ (2009–10).

She was writer in residence at the Whitechapel Art Gallery (2010–11), and producer and co-writer of The Last of the Red Wine (2011), a radio sitcom based in the artworld. She is currently writing a novel, Crude, about academia and the oil industry, as well as an opera libretto, The Virtues of Things, exploring essentialism, which will premiere at the Royal Opera House in May 2015.


Piano Recital: Karlheinz Stockhausen’s Mantra

Piano recital: Karlheinz Stockhausen’s Mantra

Date: Wednesday February 11th at 5pm (duration 1 hour)

Venue: The Galv, School of Music and Fine Art, University of Kent, Chatham Historic Dockyard, Chatham, Kent, ME4 4TZ

Free Admission

The University of Kent School of Music and Fine Art are delighted to announce a rare opportunity to hear Karlheinz Stockhausen’s masterpiece Mantra for two pianos performed by Joeseph Houston and Alex Wilson, with live electronics realised by University of Kent Associate Lecturer Peiman Khosravi

Though this is a free event you are welcome to either email Tom McCormick ( or call 0134 888980 to reserve a ticket

Map and directions can be found online at

Duncan News article