Research Seminar – Andrea Luka Zimmerman Presents

Fine Art Research Events Spring Term 2013

Tuesday 5 February
5-7pm, BWC 102

Andrea  Luka Zimmerman presents Estate: a reverie, an  artist’s film, song cycle and installation to be created and performed by the  disappearing community of the Haggerston Estate, East London.  It is the final and most ambitious project in  a trilogy of collaborative works on the estate led by artist resident Andrea  Luka Zimmerman, working closely with architectural researcher and writer David  Roberts, following the public art/photo-installation i am here (with Lasse  Johansson and Tristan Fenell) and the artists’ book Estate (Myrdle Court Press,  with Lasse Johansson, Paul Hallam, Cristina Cerully, Victor Buchli), both of  which have gained international acclaim.

Andrea Luka Zimmerman has been making films  since 1998, originally as part of a film collective called Vision Machine,  which worked predominately in Indonesia exploring the impact of Globalisation  and working directly with plantation workers. Her non fiction feature essay Prisoner of War, investigates US  militarism and foreign policy through a character study of one of its most  enduring rogue agents. She has just completed Taskafa: stories from the streets, a film about resistance and  co-existence told through the lives of street dogs in Istanbul. Estate, a reverie, is an essay film made  in collaboration with the residents of the about to be demolished housing  estate in Haggerston, Hackney, where she also lives.

Andrea is Associate Lecturer at Central St. Martins  College of Art and Design, and Wimbeldon College of Art [University of the Arts  London]. She teaches cinematography on the MA Documentary Practice at Brunel  University.

Fugitive Images: Fugitive  Images are Andrea Luka Zimmerman, Lasse Johansson and David  Roberts. Fugitive  Images platform grew out of a desire to capture the peculiar  moment of the place where they live and work immediately prior to it being  demolished. Haggerston Estate is suspended somewhere between it first being  occupied in the 1930’s and imminent demolition in 2009 (second phase of  demoloition is in 2013), a place in transformation, in wait.

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