The Festival aims bring together colleagues and students from the School of History to have informal conversations about the collective experiences of ‘doing history’ through a variety of panel debates.
1 – 2pm Challenging source materials and methods (chair: Dr Claire Jones)
Dr Emily Mantelow; Dr Jasmine Kilburn-Toppin; Dr Juliette Pattinson; Professor Ulf Schmidt
2 – 3pm Collaborative Working (chair: Dr Emma Purce)
Dr Rebekah Higgitt; Dr Jan Loop; Professor Kenneth Fincham
3pm – Tea and coffee
3 – 4pm Interdisciplinary Perspectives (chair: Dr Aske Brock)
Dr Ben Marsh; Dr Karen Jones; Dr Emma Hanna; Dr Phil Slavin
4 – 5pm Writing and Publishing (chair: Professor Gaynor Johnson)
Dr Barbara Bombi; Professor Charlotte Sleigh; Professor Grayson Ditchfield
This year, our research seminars will take place on alternating Wednesdays (weeks 1,3,5,7,9, & 11) in term time at 4PM in Eliot Lecture Theatre 2 (ELT2). We also have an excellent line-up of post-graduate seminars that will take place at 5:15PM in Rutherford Seminar Room 7 (RS7) on the other Wednesdays (weeks 2, 4, 6, 8, 10, & 12). Please see the attached schedule for a full list of speakers.
In week 1 (at 4PM on Wednesday 27 September), we are delighted to welcome Dr Suzanna Ivanič, a new lecturer in Early Modern History here at the University of Kent.
The title of her paper is Locating Religion in the Homes of Seventeenth-Century Prague Burghers.
A recent focus on religion in the home has provided fertile new evidence about lived religion – the beliefs, practices and identities of the faithful in an everyday context – but, what if we interrogate the relationship between the home and religion more thoroughly? How does religion change as it crosses the threshold? Is ‘domestic devotion’ really more unorthodox and individualistic? What do we mean by ‘domesticating’ religion? It is now well-established that not only Protestants, but also Catholics, practised religion in their homes in early modern Europe. By analysing inventories and objects from the multiconfessional setting of Prague across the seventeenth century, this paper explores the differences in domestic religious practice between confessions, how domestic space enabled unique aspects of devotion (‘private’ forms or particular rituals focusing on doors and beds, for example), and how objects that came into the home could either subvert or reinforce orthodoxy and orthopraxy within this extra-ecclesiastical space.
As ever, a drinks reception will follow this seminar. Please see the attached poster for more information.
On 22 June 2017 the University of Kent’s School of History and Centre for Medieval and Early Modern Studies will be hosting an international conference ‘The ‘British’ churches 1603-1707: from dynastic union to Anglo-Scottish union‘.
The two-day conference, timed to coincide with the 400th anniversary of the launching of the Five Articles of Perth by James VI & I in Scotland in 1617, is held in collaboration with Canterbury Christ Church University and its Centre for Kent History and Heritage.
All conference sessions will take place in Keynes College on the University of Kent’s Canterbury campus and aim to bring together scholars with an interest in religion across the British Isles during the 17th century.
In early April 2017, Dr Emily Guerry took fourteen of her third-year students from her special subject module, ‘Saints, Relics, and Churches in Medieval Europe’ (HI 6058), on a four-day fieldtrip to explore the material culture of medieval Rome. The School of History generously subsidized the cost of travel and accommodation.
“When we arrived in the early evening, the students checked into their hostel near Termini and we all headed straight to the Forum to get a sense of the city of Rome– that still-smoking hearth of culture. Our itinerary was designed to proceed both chronologically and geographically through the development of the Christian capital so our first morning was packed with time spent in the Palatine Hill and the Capitoline Museo, followed by an afternoon in the Pantheon (which was converted into a church dedicated to the Virgin Mary in the sixth century). Next, we examined the first major Rome house-church female cults located Santa Pudenziana, Santa Prassede, and ended our day with a special private tour of the loggia (with captivating city views) atop Santa Maria Maggiore on the Esquiline. On our second morning, we began by spending two hours inside the stunning church of San Clemente and descended into its many layers of archeological history. Then we ventured to the Lateran for private visit of SS Quattro Coronati thanks to the Augustinian nuns (and performed our very own re-staging of the Donation of Constantine), followed by a pilgrimage to the Sancta Sanctorum, wherein four enterprising students actually acquired an indulgence! We spent that in Trastevere to make a private visit– with generous thanks to the Clarissa nuns– to Pietro Cavallini’s monumental Last Judgment fresco in Santa Cecilia, which is said to embody the ‘turning point’ between the transformation of Gothic painting into the ‘Renaissance.’ We ended this special day by looking at the amazing spolia in Santa Maria in Trastevere– purportedly the earliest location for the Roman cult of the Virgin– and marveling at its resplendent medieval mosaics. We spent out last day wandering through the Vatican museums, where we came face to face with dozens of sacred and sublime objects from our course, including early Christian sarcophagi, cult statues, and even Michelangelo’s wall paintings in the Sistine Chapel. In the end, our trip was an awe-inspiring intellectual adventure. The students encountered and examined some of the most transformative examples of church architecture, painting, and sculpture in the history of art and architecture in Rome. We are all so grateful to the School of History, especially Jenny Humphrey, for providing us with this once in a lifetime opportunity.Grazie mille!”
Students at the Foro Romano
Students examine Cavallini`s fresco
Students in the nave of Santa Pudenziana discuss the apse mosaic
Students reenact the ‘Donation of Constantine’ in SS Quattro Coronati
Look out for Dr. Charlotte Sleigh on ITV Meridan News on Thursday 16th October at 6pm talking about her new AHRC-funded project which examines art and science relationships through the analysis of a 300-year-old English copy of Ovid’s Metamorphoses.
The project, being led by Dr Sleigh, working alongside scientist Simon Park and artist Sarah Craske, will ‘read’ the book thorugh a biological lens, analysing the bacteria, fungi, viruses and skin cell it has picked up as it has been passed from reader to reader. Their findings will be displayed in a final exhibition.
Find out more about the project here, and keep up to date by liking their facebook page.