Monthly Archives: March 2011

Hail, Bright Cecilians!

Friday’s ‘Grand Tour’ performance by the Cecilian Choir was tremendous, as the group demonstrated a terrific flexibility and control of dynamics in performance. Ranging from the Renaissance polyphony of Palestrina, the colourful harmonies of Duruflé, the Sturm un Drang of Brahms and Bruckner, to the feisty Dowland, the choir showed an assured grasp of the finer nuances of style. The range of dynamics was exhibited to fine effect in the two settings of the ‘Ave Verum’ by Mozart and Saint-Saëns, the intimacy of the Mozart balanced by the power of the Saint-Saëns.

On song: the Cecilian Choir

Aided by stirring performing from the brass quintet, and some insightful readings from Alanya Holder, Ben Roberts-Waite and Imogen Lock (also members of the choir), the concert travelled from England to Rome and back in fine style.

With thanks to the several alumni who returned to sing, and to all the performers for working to make the concert a success. Roll on next term: more details about the summer concert in a few weeks…

Carpe diem

The day is finally here, and the Cecilian Choir concert is this evening; final preparations are underway for this afternoon’s rehearsal, ahead of the concert at 7.30pm.

All the peripherals – music stands, concert programmes, organising lifts to the venue – have now taken over from the musical preparations. It’s perhaps the most frustrating time: there’s no more music to learn, no more fine-tuning to undertake: it’s just the logistics of getting the event underway that are happening now.

We’re excited about the concert: stand by for feedback next week.

A Tour de force

Friday looms large, and the finishing touches are being applied to the University Cecilian Choir and Brass Ensemble ‘Grand Tour’ concert at St. Paul’s Church.

Food this way, chaps!

The final draft of the programme is in place, the readings have been edited, the music has been organised, running orders printed, the choir and instrumentalists have been given their commitments for rehearsal and performance on the day; one of the altos is organising the food in between rehearsal and concert (always a crucial consideration: Napoleon may have said that ‘an army marches on its stomach,’ but he neglected to take into account that musicians also perform on theirs); the final few rehearsals take place this week, and then the concert will be here.

Over the course of this year, the Cecilian Choir has worked hard each week, and recently the sound has suddenly developed, perhaps coming with confidence as the group grows into the repertoire more; but it’s also something, perhaps, to do with the realisation that we have actually grown into a choir. The Cecilian Choir is always something of a flexible ensemble: as it’s entirely extra-curricular for the students and staff, there’s usually some ebb and flow each week as timetables for lectures change, or staff meetings crop up that mean staff singers are unable to attend. This makes developing the choir’s ensemble sound more of a challenge, as often no two weeks are ever the same; however, in recent weeks a sound seems to have blossomed: we’ve realised that we’re not just a collection of singers who meet each week, or sometimes every other week, but a genuine choral ensemble, united by a love of singing, with a fully-fledged programme, honed and crafted over the term, which is  about to be delivered publically.

We are welcoming back some alumni who have previously sung at the University on the day as well: one of the great strengths of the Choir is that it’s a chamber ensemble that alumni are able to be involved in. We’re looking forward to unleashing the spectacular programme on the audience on Friday; it’s going to be an exciting occasion.

No time to draw breath, even…

After the success of the Chamber Choir’s Crypt concert the week before last, there’s been no time to relax and revel in the achievement: it’s still a busy choral time at the University.

Notwithstanding the fact that the University Chorus (of which many of both the Chamber and Cecilian Choirs are members) are singing the Mozart Requiem in Canterbury Cathedral on Saturday, there are still two more choral concerts before the end of term.

The Chamber Choir are in the midst of learning new repertoire for their concert at Wye Parish Church on April 1, which includes two of Purcell’s mesmerising ‘Funeral Sentences,’ as well as a surprise piece that we’re not revealing any details about: suffice to say, it’s an arrangement for the choir of a piece by someone working at the forefront of British jazz at the moment…can’t say more…

The Cecilian Choir are in action next, in their concert of European music celebrating ‘The Grand Tour’ at St. Paul’s Church, Canterbury, on Friday 25 March. This concert has involved constructing a programme of music drawn from countries visited along the route of the cultural odyssey from the seventeenth and eighteenth centuries. The choir will be joined by the University brass ensemble, as they travel from England to Rome and back; however, time collapses in the concert as we perform music from the Italian Renaissance alongside Tudor polyphony and twentieth-century France; the choir are starting to develop a rich, confident sound: it promises to be an exciting concert.

Breathe…