Monthly Archives: December 2010

We sing both night and day: the Carol Service

Picture, if you will, an ancient cathedral plunged into darkness; the only light comes from the dancing flames of the candles held aloft by the congregation. From out of the silence, and the dark, two voices begin singing the first verse of Once In Royal David’s City. The voices soar into the recessed depths of the vaulted roof; the second verse begins, the same melody now supported with rich harmonies. The Carol Service is underway.

The Chamber Choir rose to the occasion in admirable form, beginning the service with Tavener’s Today the Virgin, delivered with punch and rhythmic vitality – having performed it this time last week at the Advent Concert, it’s become comfortably familiar, and the group delivered it with great confidence, each lengthening ‘Alleluia’ growing and filling the Cathedral with ringing harmony.

On a roll, now, the next solo choir carol, The Holly and the Ivy, virtually sprang from the page, and was by turns vivacious, playful and wonderfully legato in all the right places.

And my piece, A Babe Is Born, had an air of medieval magic, the second sopranos and altos evoking the distant choir of angels abroad on a winter’s night, celebrating Christ’s birth, and the whole choir dancing as one with the feel of the rhythms throughout. We decided, in rehearsal that afternoon, to give the final gesture, a three-note rising phrase on ‘cardine!’ more impetus by half-singing, half-declaiming the phrase – notes were less important than the drive of the phrase in the larger-scale surroundings of the Cathedral – and the final, exultant shout echoed wonderfully round the Nave for a good eight seconds before receding.

Traditionally, the University Carol Service celebrates the multi-culturalism of the University community by having Silent Night in a variety of different languages; this presented something of a linguistic minefield for everyone, with some fairly exotic verses being dealt with admirably, if not necessarily with quite the proper pronunciation!

As the service ended, and the congregation left the Cathedral with their candles re-lit during O Come All Ye Faithful, there was a sense that Christmas really had, finally, begun. The University community had come together in words and music to reflect on the season; and as the sea of dwindling candle-flames receded down the nave and out into the winter night, the spirit of Christmas went with them.

With thanks to the Choir for all their hard work over the course of this term; it’s been a great success: friendships have been forged, great performances have been achieved, meat and mead have been shared, and the group have done themselves proud. They have become a family: looking after and supporting one another, and achieving great things together.

Merry Christmas, everyone.

Bass Desires at Christmas

Fourth-year Drama student Dave Newell reports from the bass section.

Oh the weather outside is frightful, but the choir is so delightful. Christmas in The Chamber Choir is the most terrific time of year. Spring term is always seen as being the biggie with the Crypt Concert and end of season outings to Canterbury village churches, but Christmas magic grips me time and again every year and makes me smile.

Filled with...angels...singing ?

Understandably, the 5 November fires were still being extinguished when our Christmas season crackled into view, and initially was met with some scepticism. I mean, let’s face it, who wants Christmas n early November, but needs must and we did and now we are here.

I write this on the morning of the University Carol Service in the Cathedral; until recently the Chamber Choir’s only formal booking over the Christmas season. But this year we have added another string to our bow. On the afternoon of a snowy December 6, the Chamber Choir arrived at St Mildred’s Church for a rehearsal of Advent by Candlelight. The rehearsal lasted a few hours before we retired to The Old Buttermarket Public House in the City Centre for a hearty meal (and perhaps the odd pint of ale). Then, bellies full, we headed back to the church, which by now had been transformed from a cold church with scaffolding holding up the north aisle into a sparkling Christmas card scene with candles, and as the audience slowly drifted in the atmosphere became warm, even if the church itself wasn’t, and full of anticipation. It was a concert full of scintillating moments; highlights including I Saw Three Ships, my friends’ favourite The Holly and the Ivy and the debut performance of Dan’s A Babe is Born. Obviously I was in the choir, and so only got part of the picture, but we received nothing but praise from those in the audience (except some excellent mince pies and nibbles provided by the church at the end).

By no means the choir’s only bookings over the festive period; we were excited to be offered the chance to sing at the turning-on of the Christmas lights alongside the Cathedral Choir and Sid Sloane  – a “celebrity”… apparently. It must be said, whilst the performance itself was enjoyed and appreciated by the audience of shoppers, the best bit was mince pies and German sausage in Whitefriairs afterwards, where jolly onlookers and slightly bemused stall holders were treated a bunch of students singing this, that, and the other.

Tonight is to the big one however, the largest congregation the choir ever performs to; The Carol Service. From my years of singing as a boy chorister in Wakefield Cathedral, and thus performing endless concerts and services in countless venues, especially at Christmas time, you, and I would expect there to be a dulling of the excitement for such an occasion, but the exact opposite is true. Standing up on the steps looking down on the brass band and beyond them hundreds and hundreds of students and staff with flickering candles and the large Christmas tree, belting out O Come all ye Faithful, it send shivers up the spine to say the least.

For those of you coming this evening, I hope to see you there, and it only leaves me to wish you a very merry and musical Christmas!

David Newell

The Cecilians entertain…

The Cecilian Choir ended their term in fine style with a lunchtime concert of popular carols to entertain the members of the Former Staff Association in Rutherford yesterday.

Cecilian sopranos

The Sopranos: Imogen, Aisha and Alanya

Bedecked variously with tinsel, reindeer antlers and a miniature Santa hat, the Choir performed to the delight of the FSA as part of their Christmas Lunch. A few members of the Choir even struck lucky in the raffle afterwards, with one member of the bass section appropriating a bottle of champage, one of the sopranos being ‘really spoiled’ with a box of Ferrero Rocher, and one winning flowers. No names. You know who you are…

Cecilian sopranos

Guess who won the Ferrero Rocher...

With thanks to Dave Reason for the invitation to return this year, and looking forward to further occasions in the New Year; thanks also to the Choir for all their work this term.

No time to rest: Vaughan Williams and Jackson to finish the term

No time for the choir to rest on the laurels of their successful concert last week: as I said to them, the hard work starts here! Notwithstanding we’ve performed thrice already and have the University Carol Service on Friday, last night was the last rehearsal of the term, and a chance to return to the challenging repertoire for February’s Crypt concert.

I’ve written a setting of the folk-song Mother, Make My Bed, for the choir to sing in February – the text concerns messengers rushing to tell a lord that his wife is dying, and by the time he reaches her, she is dead – he dies the following day. Not exactly cheerful stuff… The piece starts with a lively dance-like rhythm in the lower voices, but as the narrative darkens, the altos introduce a pedal-chord that becomes progressively more dissonant. The harmonies then start to slow down, until a six-part chord in the lower three voices becomes the tolling of funeral bells. The choir picked it up quickly, and it promises to work well in the evocative surroundings of the Cathedral Crypt.

Gabriel Jackson

Gabriel Jackson (photo credit Malcolm Crowther)

Thence back to the two Shakespeare settings by Vaughan Williams, and the first two movements of the Jackson Edinburgh Mass; a hard slog here, with much note-learning required for the individual voice-parts. ‘Full fathom five’ splits at one point in to an eleven-note chord, which needs absolute accuracy to work. The inner-voice parts of the Jackson are also rather tricky, and needed much part-by-part learning. Having worked on the Advent antiphons for last week’s concert, though, the opening plainchant of the ‘Kyrie’ came much easier than last time, and had a fluidity about it that it needs.

The rhythmic vitality of the ‘Laudamus Te’ section of the ‘Gloria’ also presented a challenge – there was much head-scratching amongst the basses, although in fairness there’s no constant pulse, and the tied notes across the bar-lines in bars changing between 5/8 and 3/8 beats do make life rather interesting…

It’s difficult, particularly after the euphoria of a recent concert, to get back to note-bashing and maintain the momentum; but the choir set to; there’s more to come in early rehearsals next term if we’re to do justice to these pieces, as I’m sure we will.

(And a happy birthday to Paris in the sopranos, to whom the whole choir sang a resonant ‘Happy Birthday’ at half-time: you don’t get the University Chamber Choir singing to you on your birthday that often, do you ?!)

Our last commitment is Friday’s Carol Service: stand by for feedback on it afterwards.

(Listening extracts via emusic.com; you can hear sections of the whole Mass here.)

Trolling the ancient Yuletide carol: Chamber Choir at St. Mildred’s

Touch and go, this week, as to whether the concert would even happen. Heavy snow since Monday, icy roads and dodgy travelling conditions meant it wasn’t until ten o’clock on the morning of the concert, with event organisers exchanging phone-calls like Nato Superpowers planning a strategic response, that the green light came on.

Digital communication then came to the fore, with texts, e-mail and Facebook being deployed to tell performers and potential audience-members alike that the concert was still on. Choir and readers travelled gingerly along icy roads to rehearse at the church in the afternoon, before repairing to an hostelry in the centre of Canterbury for dinner; treacherous travelling meant that most people preferred not to have to go back to campus or home betwixt rehearsal and concert.

And what a concert it was. The Chamber Choir rose to the occasion and unleashed a sound quite unlike anything they have ever delivered in rehearsals hitherto; ensemble was tight, intonation excellent, and well-worked diction meant the words were clear. The readers, including staff from the University, an alumnus and members of the choir, provided some thought-provoking reflections on the Advent season, and the church community provided wine and mince pies for the benefit of all afterwards.

And the aspect most commented upon about the concert ? Not the performing (about which the feedback from the audience was highly enthusiastic afterwards), but the attire: how smart and professional everyone looked. New ties for the chaps and scarves for the ladies, matched and co-ordinated, added to the visual presentation of the performance, and was remarked on by nearly everyone with whom I spoke afterwards. It’s the details that count, just as much as the performing; in fact, perfecting the look and visual presentation of the group already establishes a level of professionalism even before a chord has been sung. Look organised, and the audience already believe you will sound thus, before hearing a thing.

Well done to all, who worked to make the concert a success, and thanks to St. Mildred’s for their support and for the opportunity to perform in their historic church. They’ve asked us back again in the future: the bar has now been set pretty high! The ensemble has flexed its muscles in public on three occasions now, and has grown to become a fully-fledged choir, with a rich and exciting sound. And I confess: I’m proud of what we’ve achieved, proud of the choir and the commitment they’ve shown, and of the heights to which they have risen and the standards they’ve reached.

Next up: Canterbury Cathedral, for the University Carol Service. Bring it on!